What Your Reader Doesn’t Want to See

What Your Reader Doesn’t Want to See

What Your Reader Doesn’t Want to See

I’m a novice writer. But I’m an experienced reader, as most writers (novice or not) tend to be. As I sink my teeth into yet another book, I find myself frustrated with the writing, but intrigued by the content. The author had a clear vision of what the story meant to her, but a somewhat murky view of how a reader might perceive her penned words. I’m starting to believe a well written book with nothing to say is far more gripping than an interesting story told in a self-important or confusing manner.

I have enough grey hair and laughter lines to remember the classic ‘80s comedy, Three Men & a Baby, with Tom Selleck cradling baby Mary while reading a bedtime story.

“The champ caught Smith with a savage left hook… that sent the challenger crashing into the ropes. Smith, his left eye swollen, and the cut above his right eye now much more bloody, countered with a barrage of vicious body blows.”

“What are you reading her?”

“It doesn’t matter what I read, it’s the tone you use. She doesn’t understand the words, anyway. Now, where were we? The champ began the fourth round like a man possessed, going straight for his opponent’s body.”

If four-month-old baby Mary can be mesmerised with big style and small content (and Tom Selleck’s beautiful blue eyes), I can too.

We have a vision of how our story will go (well – I do…) but, when it gets to the nitty gritty of putting fingers to keyboard, visions can get lost in a flurry of ego. Just because it’s written down, doesn’t mean an audience has to read it. For writing to extend beyond me, I have to envision the reader’s needs.

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About Simone

Crazy hair, solitude seeker, at peace in the natural world, Simone Yemm dedicated over three decades as a professional flautist and teacher. In 2008 she completed a Master’s in Journalism, specialising in editing, and continues to hone her skills as a writer. After a series of crises led to an emotional breakdown, Simone developed a passionate interest in mental health and shares her story to educate and support the wider community. With 25 years of marriage under her belt, she successfully raised three and a half young men and a chocolate-brown Burmese cat. A mean feat never to be underestimated.

www.simonelisa.com

As a novice writer I’m not in a position to state what to do for successful writing. But just as politicians learned over millennia, and drum into us with negative campaigning, it’s easy to know what not to do. As I lurch my way through another memoir, here are a few things I’m learning not to write:

  • Exclamation marks! They’re so annoying!!
  • Presumed fact. Belief isn’t fact. Back it up or acknowledge it’s a personal belief. This is a fact.
  • Half-truths. It’s difficult to develop empathy for a character claiming everyone is wrong and they are right. With only one side of the story, I instinctively distrust the assumption of innocence. What aren’t you telling me? Be vulnerable – tell me the whole story.
  • 1+1=3 Whatever the scenario (fact or fiction), give me the numbers and I’ll finish the sum. Our lives are unique – to us. Our stories are relatable – to everyone. Grief. Love. Fear. We all experience them in one way or another. I haven’t grieved the loss of a marriage, but I have grieved the loss of a career. Show me grief in the guise of divorce, and I’ll see the sum of your despair.
  • Tyipng erorrs. It’s hard to proofread you’re own work, and even with countless professional eyes on the the manuscript, typos slip through. But if there’s more then one per page, ewe need better professionals. Excesive speling, gramattical, & structurall, erors disturb the most forgiving of reeders.

For 36 years I taught eager (and disinterested) young people to play the flute. As years went by, I discovered how much more we learn from mistakes than we ever do from successes. I want to raise my standards as a writer and continue to hone my craft, and paying attention to both what works and what doesn’t is helping me do that.

I want to see the villain’s face crumble. Hear the soldier singing. I need to touch the warm flesh of young lovers, taste the salty tears, and smell the charred remains. Whatever vision you have for the story burning inside you, make it one we can all see. Remember your reader. Because then, much like baby Mary staring adoringly into Tom Selleck’s eyes, your story will find an audience.

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Vision Quest

Vision Quest

Vision Quest

When I was two, I almost went blind in my right eye.

A close friend of my mother`s had noticed that my left eye was not tracking properly. It was turning out so that it appeared misaligned, and so a trip to the eye doctor`s was quickly arranged. I was examined and assessed and eventually given the diagnosis of constant extropia, also known as lazy eye.

Rather than attempt to saddle such a young patient with glasses, the optometrist opted to cover my working orb with a bandage to force my left eye to perform. For at least a couple of months I toddled more than most toddlers might as I explored my world with half of my sight literally under wraps. I have no memory of this experience but, with a son of my own so similarly aged, I can closely estimate how frustrating this must have been for both me and my parents.

Eventually, though, the professionals realized that they had made a mistake. In covering my good eye in the endeavor to exercise my poor one, the former had ceased to work. The gauze and tape had performed their task too well, and the perfect vision I had known in my right eye had been overturned by mandatory inertia. The doctor was alarmed by the severe inactivity upon re-exposing it, and he ceased the flawed experiment to try and remedy the eye`s unresponsiveness.

I was given thick glasses with a strong prescriptive lens on the left side and wire hooks curling out the arms and around my ears. My right eye reclaimed its dominion. And bandages were reserved for scraped knees.

Life returned to normal. For a time.

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About Jennifer

Jennifer wrote her first poem at the age of six, and she has been involved in the world of words as an editor, a blogger, and an article writer. She is published in and shortlisted for a growing number of local, national, and international electronic and print publications.Most recently she had an essay, titled Bairnlorn, appear in the Globe & Mail, placed first in the My City, My Words poetry contest, and wrote and handcrafted a board book for her son.

She also tells terrible jokes.

When I was in the car one morning, being driven to my first grade class, I composed my first poem. It was a four-line ode to the sun and it was the inaugural beautiful hint at how writing might become a part of my life.

The next evidence, though, was not so sweet.

Four-eyes. Bookworm. Typing these terms of mockery still cover my irises with liquid pain. For all of elementary school, through surgery for my lazy eye when I was ten, and up until a couple of years after the procedure when I was finally told I no longer needed glasses, I was teased in such a way. I had been gifted with a mother who worked in the municipal library and whose vocation compelled her to share her love of reading with her children. So with plastic frames often perched atop a nose firmly stuck in a book, my childhood destiny was written.

But amongst the traumas of pre-pubescent bullying, I can still find ways to be grateful. Without those trying, formative years, I would not have become discerning in my selection of close friends. I learned a great deal about how to read people and understand the nuances of expressions, words and even emotions. My people watching skills surely developed while I pumped my legs alone on the swing, and my ability to gain solace with my own thoughts and company must have had their foundation in the field`s perimeter of gravel and dirt, over which my two feet carried me on countless recesses.

These are the skills upon which I began to create my authorship, both as a girl who contributed a couple of articles to the school newspaper and as a young person trying to write a happy ending for her life. Those glasses, the names, and the way my vision had to adapt and then adapt again – all of it means something. Each flicker of experience has contributed to who I am now, and to how I am able to share parts of myself on the page.

I am thankful my eyesight was not permanently marred by an optometrist’s misguided efforts to help. More so, I am grateful for the opportunity to remember how we can’t cover up what is working and concentrate solely on what is dysfunctional. Too often we focus on the negative, but in doing so we rob ourselves of examining a full life. I, for one, want to explore the width, depth and height of who I am and what I have been through with a writer’s vision: with eyes wide open and lifted toward the shifting colours of an infuriating, peaceful, grieving, joyous, confusing and insightful horizon.

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Zoom In

Zoom In

Zoom In

Holy shit. I need glasses.

Like clockwork, the switch for my blurry vision gene was flicked on the day I turned forty. I’m not sure why I was surprised. I’m the one who, for decades, was prepared for my period every fourth Tuesday at ten o’clock. Some women know the day or week to expect them, but if it got to half past ten, I’d convince myself I was pregnant.

‘It’s ten o’clock Tuesday,’ I’d whisper to Amanda as I passed her desk.

She often replied with a wink.

It was bizarre that my vision of life was becoming a whole lot clearer around the same time that my eyesight turned from crystal to frosted. What I had finally realised was that, as a perfectionist, my outlook was constantly clouded. Clouded by dreams. Such illusions projected an unattainable future, which accidently put my life on hold. I was forever waiting for the day when ‘everything would be sorted’ before taking action to start my ‘proper life.’ ‘That’s when the fun will begin,’ I kept telling myself.  

Every little girl has a grown-up wish.

‘I’m going to be an actress, or a newsreader like Jana Wendt. And by the time I’m thirty, I’ll be married to a handsome prince and we’ll have two or three children.’

My reality was a tad different. I had suffered from Stockholm Syndrome for many years in unfulfilling jobs. I had settled for relationships with emotionally unstable or abusive men, and I had almost certainly missed any chance to have my own children.

Through my delusion, I held on to faith. My gut told me over and over that it would ‘all work out’. Who knows how long I would have kept floundering if I hadn’t received my wake-up call. The shock of my dad’s premature death, when I was thirty-six, shook the madness out of me and ignited my search for meaning. Before this, I was proud to strive for perfection. Proud to put other’s needs before my own. Innocent to the massive consequences.

For the first time, I challenged the fantasy I had accepted as my reality.

I looked closely at the vision that had been hijacked by other people’s agenda’s. My vision. What vision did ‘I’ have for my life? My outlook was inherited. I’d never asked the question.

‘Good girls do what they’re told,’ I’d heard.

Although my focus shifted inwards, my search for purpose expanded. Instead of being paralysed by fear and how the big scary world affected me, I began to explore. I had a poster on the wall, staring at me throughout my university days. A little girl with outstretched arms and the quote, ‘je vue vivre’ (I want to live). The desire was always within me, but I was too scared to put it into action. Now there was no option.

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About Lisa

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Not only did I want to live, I wanted to connect and contribute. I wanted to make a difference. I wanted to go on an adventure. I wanted to find my place. My habitual future thinking had stopped me from taking even a tiny step forward. I had to learn to live in the ‘now’ instead of attempting to control months and years ahead. A time not even guaranteed. I zoomed right in, through the tiny hole in a kaleidoscope. As I watched the colours dancing around, life became more lighthearted and I became more playful. More myself. Finally, alive and in the moment. Viewing the world through younger eyes, with older ones.

Writing has played a major role in reaching some of those buried parts of myself. Once it was another old dream that had been dismissed. Like a balloon, I was pulled back by the string, when my natural tendency was to rise and be free. But writing is now a healthy part of my day, as essential as sleeping and breathing.

I’m not using other people’s words when I write. They’re all mine. I have the freedom to use my words with no reaction or response. The intense processing has helped me to zoom in on the truth, smashing through the layers that I thought were there to protect me. My therapy on the page. A tool I have used to reframe so much of my life.

Like how lucky I am to have changed my focus. To have opened my eyes to new possibilities. Otherwise I may have missed him. I finally did marry at forty-three. I never doubted we would find each other, but what I could not have predicted was that my handsome prince would also be a fifty year-old grandfather. Little girls don’t wish for that. But I had adjusted my vision.

The blurriness of life is often what brings the clarity.

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Books Are Like Besties

Books Are Like Besties

Books Are Like Besties

I equate the experience of reading a good book to sitting alongside my bestie and listening to her share a story in a raw and relatable way. I’m there in the story with her, her words evoking a variety of uncontained visceral responses.

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About Philippa

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In this way, the written word is akin to a melodic arrangement of music where the lyrics and tempo create a harmonious symphony. Both have the power to communicate to the core and stir emotions in the body, which in turn feeds back a unique response, telling its own version of the original story.

Every composition embodies the essence of the creator, so it’s important to write from the heart. Pour your soul onto the page in the same way you would as if you were talking to your best friend – no holds barred and no mask of pretence. Be real and raw. Be YOU. Keep this friend at the forefront of your mind as you journey though the writing process, as it will help create depth for the relationship your reader has with your work. Once immersed in this practice, the intimate kinship will alleviate the pressure to write what you think people want to read and enable your true voice to shine through. You’ll find a deeper connection and a new best friend in yourself; one who can touch a community of like-minded people in a unique way.

It is also important to remember your writing style, just like different musical compositions, won’t appeal to the masses. Keep your ideal reader in mind. Envision that person as your ‘bestie,’ sitting alongside you as you share your story in your own unique way.

I’m sure neither Sally nor I were on Guy Browning’s radar when he wrote his book, but words have the power to bridge personal experiences for a broad spectrum of people. Thoughts, feelings and actions ultimately have a way of uniting us, and as writers we have to remember this when we enter the world within to bring our stories out.

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We Gather Stars in the Dark

We Gather Stars in the Dark

My whole life changed when, at the age of 27, I was suddenly diagnosed with breast cancer.  At a time when my husband and I should have been focusing on our future, we filled our days with managing the side effects of my chemotherapy. Instead of starting a family we had to concentrate on my recovery from surgeries.  I needed a way to cope, clear my mind, and document my journey.

I turned to writing.

At first, I started a blog to keep my family and friends informed of my medical appointments. The more I wrote, the more my writing became a source of support and inspiration for me. As I sat alone in cold clinic rooms for scans and procedures, I would envision the comments left by others on my blog. I could feel the love and positive energy surrounding me like beacons twinkling in the night. I knew whatever happened, we would all be okay, because we had each other.

When I couldn’t sleep, I’d take out my computer and start typing.  At times, tears rolled down my face as my fingers typed faster than my emotions could keep up. I wrote things that I hadn’t yet taken the time to slow down and process. Often I would seek out little, sometimes humorous, moments in my life to write about to relieve the heaviness of the dark days.

Five years after that diagnosis we were blessed with our beautiful daughter through the help of a gestational surrogate.  I thought our story was ending with “happily ever after,” but less than four months later I learned my cancer had metastasized.

My cancer was no longer about pink ribbons.

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About Janell

Janell Meier’s mission in life is to inspire others to be their own advocate, keep humor even in difficult times, and lean on others. She thrives on connecting and learning from others while educating on the importance of metastatic breast cancer research. Janell was the full scholarship recipient of Joanne Fedler’s 2018 Author Awakening Adventure and has used the opportunity to further grow as an emerging author while learning about herself. Writing has been a way to process and cope with her life experiences. Janell’s hope is that her young daughter won’t have to remember her only by her written words.

This time it meant I was fighting for my life.  I would never again hear the words, “You are cancer free.”  I was left wondering how long I would have to see my baby grow up.  At the young age of 33, I had already been to too many funerals for my friends that had passed away from metastatic breast cancer.  This second diagnosis left me facing a new plot that could have an entirely different resolution.

One day, while at the cancer center for treatment, I met a four-year-old girl and her family. She wore a princess shirt and her family of three lit up with excitement as they told me about their recent vacation to Disney World.  Our baby was about to turn one year old so, naturally, I saw in them my own little family. It was then that I decided I wasn’t going to wait for my baby to grow up to make all sorts of memories with her. Months later, I learned that cancer took that mother away from her family forever.  Though my interaction with that young woman was short, she became a shooting star in my life and made more of an impact on me than she was ever able to realize. Being inspired by her example, I’ve been lucky enough to have written about my daughter’s first time taking off in an airplane, and her first time experiencing the power and beauty of the ocean.

My little girl is now three and I continue to document as much of my life as I can.  I jot down ordinary moments that touch my heart.  Whether it be song lyrics, a simple interaction with my daughter, or a memory of my own childhood.  I seek out the tiny daily miracles and interactions in life that can be easily overlooked. I find these moments can be as magical as a blazing comet in the evening sky.

When you take the time to look, you’ll find amongst all the darkness, your life story is sprinkled with many stars. Parts of our life storylines are laid out for us.  All of us face our own struggles.  The thing is that we can strengthen and inspire others by sharing bits about our experiences.  We each have the power to light the way for others who may be in their own dark of night.

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7 Things the Writing Community Can Do for You

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Alright. That’s enough of that ship.

It is precisely in avoidance of such a collapse into cliché that I can turn to my writing community. They are there to help me keep my grammar in check, and to encourage me to delve deeper into my characters or setting. They commiserate over growing piles of rejection letters. For all the obvious reasons, I am grateful for those trusted individuals I have finally learned to recognize as an integral part of my writing process, but there is more to it than that. There was a learning curve, as I slowly acquainted myself with what it means to engage with other writers, and its particular sweep revealed a plethora of subtle advantages.

  1. I was able to practice sharing my story, not simply through edited selections of writing, but also through comments and discussion. This process has helped me to become clearer on what I want to share as I write my book, to experiment with exposition versus scene, and to better appreciate what others find engaging and valuable.

2. In those first tentative shares of my writing, I opened myself up to feedback, even if it was initially on the saccharine side (most writers, I find, are blessed with the instinct to gingerly handle such fledgling offers). Practice at dealing with critique is necessary, and learning to do so gradually allowed me to build my way up to a place where I became eager for the feedback, knowing that it will improve my work and make me a more critical thinker.

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About Jennifer

Jennifer wrote her first poem at the age of six, and she has been involved in the world of words as an editor, a blogger, and an article writer. She is published in and shortlisted for a growing number of local, national, and international electronic and print publications.Most recently she had an essay, titled Bairnlorn, appear in the Globe & Mail, placed first in the My City, My Words poetry contest, and wrote and handcrafted a board book for her son.

She also tells terrible jokes.

  1. Joining online forums, workshops, and meet-up groups introduced me to a wider array of people who provided me with the opportunity to think beyond the confines of personal perspective, and to make some thoughtful assumptions about what others might read in a particular passage. I can look at my writing with an eye for what others might take from it now, whereas before I could only see it subjectively. One of the best scholastic exercises I ever undertook was having another person read something I had written out loud. I was fortunate in that the person I was paired with was the one in the class furthest from my own experiences. The difference in literal voice – the timbre, the pauses, the emphases – was astounding, and it made me realize how what we hear in our own heads as we write may not be close to how it is interpreted by our readers.
  1. Simply listening proved invaluable. In witnessing the stories of others, I became grounded in the knowledge that while my own tale is unique and needs to be told, that it is also just one amid those of everyday people, living lives of joy, tragedy, confusion, suspicion, and resolution. There is great comfort in knowing how relatable each of our individual threads can be.
  1. I became connected to the hard work that I need to be doing. Occasionally, this happened because I could sense the hallow excuses of others and began to more easily recognize them when they came tumbling out of my own mouth. But mostly, it was because as I listened to the members of my writing community comment on what they were giving up to write, I found myself moved to push through the inspirational droughts.
  1. It gave me cause to celebrate their wins – collaborations, shortlists, awards, personal word count bests, filling in longstanding plot holes – and to know that each step is in itself a victory. It helped me view firsthand the reality that successes are possible.
  1. I realized that when I stay connected to my writing community that I stay connected to my writing.

That last point was probably the most important one for me. I know now that finding my community is one of the biggest things that I changed to move from writing being a hobby to it being what I do every day. Somehow, in all the years that I dabbled in what I claimed as a passion, it never occurred to me that surrounding myself with similarly focused people could help me to make my craft a priority.  Knowing others have some sort of expectation of me as a writer – whether to compose a poem, dig into research or an outline, or deliver a finished chapter for feedback – makes me take myself more seriously. And it manifests as a driving force that keeps my pen moving across the page and my fingers dancing across the keys.

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