Patience in Writing

Patience in Writing

Patience in Writing

I recently hauled out a box in which I’ve been stowing thoughts, ideas, inspiration and research for a book I have been wanting to write. It was packed with journals, scrapbooks, scribbles and diagrams in several folders which I will need to make sense of to turn it into something remotely readable. Some of the notes date back to 2012. Most of the writing is unkempt, has no idea where it is going or what it is doing or what it might be ‘for.’

Until recently, I thought perhaps I would jettison this book idea and move on. But sifting through these treasures I felt slightly excited again. New possibilities murmured to me. I felt drawn again into the chaos and possibility of the world my subconscious is trying to organize. I was up at 3am last night writing and even missed my 6am spin class as a result.

When I teach that a book must be ‘richly conceived,’ what I mean is that deep thoughts worth sharing often need time like wine or aged cheese to learn what shape they need to take and how they make sense together. What I’m saying is that I’ve done nothing for five years except collect, make notes, catch thoughts with the slight posterior awareness of ‘someday, perhaps.’

I share this with you, if you are an aspiring author, in the hope that it fastens you to patience – a train I have never caught on purpose but for which life has bought me a couple of tickets. Creativity ebbs and then it rushes in. And when it does, we must be ready to lean in and do the best work of our lives.

Most of what we write won’t make it into the final draft, just like most baby turtles don’t make it across the sand to the water’s edge.

But nothing we ever write is wasted – even if it never makes its way into our book. Every word we put down – even the ones we jettison, edit, cut away in the final draft – is imperceptibly sensed, a silent history, an accumulation of effort, a deepening that the reader feels, the way one line spoken by a wise person reflects a lifetime of experience and patience.

Joanne Fedler

Joanne Fedler

Author, writing mentor, retreat leader. I’m an internationally bestselling author of nine books, inspirational speaker and writing mentor. I’ve had books published in just about every genre- fiction, non-fiction, self-help, memoir – by some of the top publishing houses in the world. My books have sold over 650 000 copies and have been translated in a range of languages. Two of my books have been #1 Amazon bestsellers, and at one point the German edition of Secret Mothers’ Business outsold Harry Potter- crazy, right?

The Stories Our Wardrobes Tell

‘Can I wear this?’ my teenage daughter asked, holding up a black silk shirt from my wardrobe. ‘I need a black top for drama and I don’t have one.’ ‘Ummmm….’ I paused, remembering that the last time I wore that shirt, it was ripped off me in a moment of passion by a...

On Returning to the Home I Grew Up In

We leave something of ourselves behind when we leave a place, we stay there, even though we go away. And there are things in us that we can find again only by going back there. ―Pascal Mercier, Night Train to Lisbon I sit and watch the sun come up over Johannesburg...

Where the Fight Is Won or Lost

You can learn the craft of writing any way you choose: you can take a course, you can read a book about writing, you can read great writers until your eyeballs bleed. There is no one way to learn what you need to know about writing. And that's because the craft of...

Ageing Songlines

I find myself wondering more and more about her warning. Is it really obscene to grow old? I mean, what are a couple of white hairs, a bit of sagging skin, leathery arms and the odd stray facial hair? Really.

How to Touch What Is Beautiful

‘I did not survive to be untouched.’ – Mark NepoToday, my friends, is my 52nd birthday. I know, right? I don't look a day over 50.The past year has been a mix of magic and mayhem. I count among the highs my discovery of ocean swimming and the return of my writing...

Prayers For

Prayers For The singing whale, oblivious to our wonderthe ones left behindthe little ones whose world has gonethe books no-one will get to readthe weary moon wary of the spotlightthe snug earth around the buried bonesthose who have nowhere to gothe tiny country hated...

I Am Well if You Are Well

I Am Well if You Are Well

I Am Well if You Are Well

I was a week away from my due date. I was enormous and uncomfortable as I stood barefoot on the deserted beach. I had survived the past year. Barely. Grief and sadness swirled in me like aurora borealis. Birth demands hope. You have to be an optimist to bring new life into the world.

As I scanned the horizon, my heart heavier than the heft of my unborn son, a whale leapt out of the water, twisted in an air-dance before it disappeared again. I gasped. I have seen many whales breach, but none so completely.

It launched again. And again. Each time, my gasps turned to whoops, and then to laughter. I looked around as people do in the presence of large sea creatures, to say, ‘Check out that crazy backflipping whale!’ but I was alone on that beach, the only witness.

Eighteen years have passed, but the magic of that moment remains unabbreviated in my psyche.

When that whale soared in defiance of gravity, I swear, I felt chosen: to be the eye that sees the tree fall in the forest, so that it can be said, ‘it made a sound.’

Sometimes when we’re unravelling, all it takes is an instant like this to rewire us and bring us back. It’s not every day that we’ll find ourselves the only onlooker to an uncommon sighting in Nature such as this. But there is an equivalent witnessing process we can each draw on whenever we need it. And it happens through writing.

When we put words on the page, two mystical processes are activated. Firstly, we take up our position, no longer as a victim of our lives, but as an attentive survivor. It requires of us new and brave eyes because if no-one else has seen our grief we may have begun to ‘unsee’ it too. When asked ‘how are you?” we may have taught ourselves to say, ‘I’m fine, really,’ and ‘I don’t want to talk about it.’ We may have become sanitation experts of our experiences, with easy, manicured responses to some of our most profound suffering.

There is danger in this wilful un-witnessing. In his beautiful book The Smell of Rain on Dust, Martin Prechtel writes, ‘It is a terrible source of grief not to be able to grieve.’ When we do not tend to ourselves in this deeply present manner, we tolerate illness, loneliness and invisibility. It’s exhausting not to feel the truth of our experiences.

Writing reverses all that. When we write, we volunteer to be the eye that sees. Heartache and loss – which perhaps has felt unshareable – is reshaped. And I would go so far as to say that even if no-one ever reads our words, we have by our own action declared, ‘My life is worth bearing witness to.’ That alone, is deeply healing.

 

Joanne Fedler

Joanne Fedler

Author, writing mentor, retreat leader. I’m an internationally bestselling author of nine books, inspirational speaker and writing mentor. I’ve had books published in just about every genre- fiction, non-fiction, self-help, memoir – by some of the top publishing houses in the world. My books have sold over 650 000 copies and have been translated in a range of languages. Two of my books have been #1 Amazon bestsellers, and at one point the German edition of Secret Mothers’ Business outsold Harry Potter- crazy, right?

Secondly, in writing, we summon our own hidden wildlife – it’s always there, just beneath the surface, the way the whales exist in the ocean long before we catch them playing in full sight. As we stitch language to emotion, we invite meaningful, creative conversations with ourselves about what it means to be alive. I believe this is what Joseph Campbell, the great mythologist meant when he said, ‘You have to learn to recognize your own depth.’

We may even fall back in love with ourselves when we receive – as we always do – a sign (the emotional equivalent of a breaching whale) that something powerful and beyond imagination survives within us. I have seen many people come back from the dead through their writing.

So how do we create an environment for this witnessing to flourish?

Martin Prechtel suggests we go down to the ocean to grieve, but never alone. Always with a ‘designated non-griever.’ Someone who ‘knows how to listen’ and who will not try to ‘cure you.’ The role of this person is to witness your grief, and to make sure you don’t drown. Someone to keep you safe, but not restrained.

As a writing mentor, I have started to think of myself as the equivalent of a ‘designated non-griever,’ someone who can remain compassionate and unflinching as people explore the desolations and wounds that have made them who they are.

The Shona tribe of Zimbabwe respond to the greeting ‘Are you well?’ with, ‘I am well if you are well.’

These words are  my invitation to anyone who wants to awaken through their writing. It’s been my dream to create an online community where people who have until now, felt alone in their suffering, can feel like they belong.

We have a shared responsibility to bear witness to one another’s grief, lest, as Cheryl Strayed reminds us, ‘the burden of loss is placed entirely upon the bereaved, while the rest of us avert our eyes and wait for those in mourning to stop being sad, to let go, to move on, to cheer up. And if they don’t — if they have loved too deeply, if they do wake each morning thinking, I cannot continue to live – well, then we pathologize their pain; we call their suffering a disease. We do not help them: we tell them that they need to get help.’

Storytelling is how we share this load with others and as a culture, carry one another forward. In telling our stories we put a call out in the universe, ‘Is anyone there?’ When our story touches another, who calls back, ‘I am here, if you are here,’ it’s as if for a brief moment a whale dances and hope leaps back at us, wildly and unjustifiably.

And we remember who we are and why we are here.

Right Turn

'Right Turn' From the book The Turning I chose bona fides and other Latin terms you find in law books for it was easier, they claimed to fall back on precedent and stare decisis than a line Tennyson wrote that’s etched in your soul. I turned left at logic not right at...

Not Pretty Enough

I was never a pretty girl. Not for want of trying or wishing. But there it was. I longed to be someone other people refer to as ‘adorable’ but there was always too much of me for it not to sound ironic. My father put it straight very early on. ‘You will never be a model, my darling,’ he said as if it truly did not matter.

How the Scariest Moment of My Life Reminded Me I Am Safe

It was 2am on the second night of my recent visit to South Africa and I was wide awake with jetlag. I trundled down the stairs of my parents’ home, made myself a cup of coffee, called my husband in Australia, checked my emails and called my friend Katrina to discuss...

A Room of One’s Own

When I was five years old, during a routine game of hide-n’-seek, I hid in the cupboard in the spare room, amongst the hanging fur coats and long sequined dresses my mother would never wear again. I was there a long time. Even when my seeker had ‘given up’ and rallied the adults to help find me, though I heard people calling my name, I kept silent, not wanting to betray the sanctuary of my hiding place.

Where Don’t You Want to Go – Go There

My friend Ilze, who is a gifted group facilitator, says, ‘You can only take others as deep as you have gone yourself.’ Writing is like facilitating – it’s leading people (your readers) into the places you’ve visited within. As writers, we’ve tacitly undertaken to our...

Allow Me to Disappoint You

You wouldn't believe what an excellent track record I have in not disappointing people.I like to think it’s because I try hard to be a half-decent person. But what if it’s the consequence of pathology? A damaged neurological wiring that causes me to default into doing...

Sometimes, People Don’t Trust Me

Sometimes, People Don’t Trust Me

Sometimes, People Don’t Trust Me

Sometimes, people don’t trust me. Here’s why:

When someone comes to me with a burning desire to write, or a story that’s wormed its way into their core, I am a cheerleader. Like the craziest, wildest, noisiest fan: ‘Go!’ ‘Keep going!’ ‘You can do this! You’re almost there!’

And this makes some people uncomfortable.

People mistrust enthusiasm. They think it’s insincere.

So sometimes, people think I’m bullshitting when I encourage them. As if perhaps I have some hidden agenda.

I get cornered with these questions a lot:
‘Joanne, do you really believe everyone can write? What happens if you read someone’s writing and you think, “This is shit. This person can’t write. Why would you still encourage that person to write?”‘

And here’s what I think:

Do I believe everyone can write?
Actually, I do. More than that, I believe in everyone’s right to write. If you can talk, you can write.

To decode this a bit more:

  • I do not judge whether someone’s writing is shit. I don’t use words like ‘shit’ or ‘crap’ to describe anyone’s writing – including my own clumsy clichéd words.
  • I prefer terms like ‘this works’ or ‘this needs work’ or ‘this doesn’t work.’
  • What I mean by ‘this doesn’t work’ is that the writing is not ready to be shared with others.
  • Writing is ready to be shared with others when the writer has done more than just hack out some words on a page.
  • It is ready when a writer has gone back – many times, and shaped, sheared and shorn the writing.
  • Writing that is clichéd, sentimental, sloppy and lacks structure or discipline is not ready to be shared.

But guess what? Everyone’s writing is like that – not only beginners, but first drafts of even the most accomplished writers.

Do I believe everyone should write?
No, but if you feel like writing, if you want to write, then why wouldn’t you?

Joanne Fedler

Joanne Fedler

Author, writing mentor, retreat leader. I’m an internationally bestselling author of nine books, inspirational speaker and writing mentor. I’ve had books published in just about every genre- fiction, non-fiction, self-help, memoir – by some of the top publishing houses in the world. My books have sold over 650 000 copies and have been translated in a range of languages. Two of my books have been #1 Amazon bestsellers, and at one point the German edition of Secret Mothers’ Business outsold Harry Potter- crazy, right?

Do I believe everyone can write a book?
Hell, no. That takes a certain kind of discipline. If you are a start-a-new-thing-every-week kinda person, or are born under the star sign of ‘this-is-too-hard-I’m-giving-up,’ or your Myers Briggs profile is ‘I-don’t-care-if-this-is-sloppy-maybe-no-one-will-notice,’ you are not going to write a book. If you struggle to finish anything (reading books, tidying up, getting out of relationships) you will never write a book. A book is for finishers. And if you never invest in getting support, help or input about how to write well, it is highly unlikely that you’ll ever finish.

Do I believe everyone can get published?
That’s a nope. Getting published is a whole new territory of torture – at least in the traditional sense. Because brilliant books are rejected by publishers. Because publishers publish slop. Badly written books. Poorly conceived books. And because a lot of inexperienced writers submit books before they are ready. But, anyone who can finish a book can get it self-published.

I have done 25 years of Buddhist work to curb my tendency to judge other people. And though I fail in many respects (thinking now of Trump supporters and smokers who get a thumbs-down in the quiet chamber of my internal jurisdiction), I have stopped judging other peoples’ writing. I come with a compassionate eye. I hold them to the highest vision I have for them. And I teach others to do the same.

When we judge others, we compare ourselves to them. And this is a plague to one’s own quiet conviction about the value of what we’re doing (we sorta all know this, right?).

What I do believe is that everyone can improve. Everyone can write something worthy of a reader’s attention . . . provided that:

  • you do the work,
  • you hold yourself to the discipline of self-discovery and mastering the craft.

So I will continue to cheerlead those who are passionate about writing. Even if their grammar is abysmal and their cliché’s a little nauseating. Even in the face of sloppy execution and incoherent structure. Because inexperience can be remedied by tutoring and those willing to work hard.

Not very glamorous in the end, but literally nothing can stop a hard-working writer who has mastered the 6 strengths I teach in my upcoming Author Awakening Adventure from bringing a book into the world.

Are You Sharing or Over-Sharing?

I am by nature a sharer, and am delighted, for example, when people help themselves to food on my plate. As far as I’m concerned, few things are more enjoyable alone than in a group. I am happy to be shared with too. Tell me your secrets, your deepest desires and...

Can I Show You How to Begin?

Can I show you how to begin? Who wants to become a writer? And why? Because it’s the answer to everything. … It’s the streaming reason for living. To note, to pin down, to build up, to create, to be astonished at nothing, to cherish the oddities, to let nothing go...

Bringing Inequality Back into the Bedroom

I came to marriage by a circuitous route. As a radical feminist, I avoided it, certain it was for unintelligent girls who had no aspirations to travel or write books. I was never going to be ‘given away’ or called ‘Mrs’ Someone Else’s Surname. Working with abused...

Artist-in-Reticence

A month ago, I found out that I was going to be a literary artist-in-residence. I was shocked and delighted, but also uncomfortably pleased with myself for managing to secure such an opportunity. I felt honoured. And excited. Yet an underlying sense of hubris was...

After Angie’s Example

Angie was one of those girls who seemed to have it all. People enjoyed being around her. It wasn’t just because she was kind, it was that she exuded strength. But Angie got her strength the hard way.On a warm summer evening, after all our exams were over and life...

Without Self-Compassion, Why Should Anyone Trust Us?

Celebrity drag queen Ru Paul sings, ‘If you don’t love yourself, how in the hell are you gonna love somebody else?’ Amen to this when it comes to the act of writing. All writing begins with self-compassion. To write, we have to own our voice and our right to write. I...

Being with What Is Leaving Us

Being with What Is Leaving Us

Being with What Is Leaving Us

Tanaka 1I have never nursed a dying person.

Regrettably, I have killed many a plant. Not on purpose. But it seems as if I’m afflicted with a negligence – perhaps more generously understood as a failure of translation – between caring for fauna and caring for florae.

I have listened to stories and read books about ministering to the dying – a mother, a spouse, a sister, even, god-help-us, a child. My husband rushed back to South Africa to be with his mother in her final weeks of life. It involved nappies, holding hands, watching her writhe in pain, released finally by morphine. I have heard it is unglamorous, raw – a gateway into a secret chamber only those who have held space in this way will ever know. Many accounts talk of the liberation from the pain of personality – how it is possible to find love and forgiveness in these brutally real hours before a relationship is extinguished, at least in material form.

Much as I have prepared for these times, in Buddhist practice now and then, in contemplation and vicariously, I have not been there yet.

My cat Tanaka has recently been diagnosed with chronic kidney disease. She is seventeen years old, as far as we know. We got her from the RSPCA some weeks after my family arrived in Australia in the spring of 2001. We had promised our kids, aged nearly 2 and 4 that we would replace Rain and Shadow, our beloved pets we had to rehome before we immigrated.

Tanaka was the youngest cat there – at around 9 months old, already erroneously christened – by whom we have no idea – for Tanaka is a male, not female name. Having spent nine months in a cage and almost too old to be cute, she was catatonic when we got her. Unresponsive – more so than is usual in cats. We loved her back to life. Queenly from the start. Neat paws. Extremely chatty – in a sort of back-and-forth if you echoed her mews. Zed taught her to ‘jump’ like a Lipizzaner, over his torso, back and forth, back and forth. She amused us for hours this way when we got bored of television. She slept at the end of my bed most years. In the heat of summer, she refused to come indoors. She’d watch us from the neighbouring property call her from the backdoor, saunter in when it suited her, but sometimes we’d have to send my son down to get her.

Tanaka 2In her early years, she got into a fight and had an oozing abscess on her abdomen the vet informed me would cost around $500 to treat. As new immigrants, we didn’t have that kind of money, so I treated it myself. She let me squeeze it until it cleared, as if she understood I wasn’t intentionally hurting her, but helping her.

One year I went away to Bali to teach a writing retreat, and returned to find her face skew. No-one in the family had noticed. She was diagnosed with a form of Bells Palsy which eventually cleared, but needed me to treat her unblinking eye with eyedrops twice a day to prevent her eyeball from drying out.

Her white nose was always a worry – especially because she spent so much time on the fire-escape in the sun. She got nose cancer late in life. She had a procedure to cut it off, but when she recovered from the anesthetic, her third eyelid covered her right eye from nerve damage. It remained this way for months and we accepted she’d never recover, but it eventually did.

 

Joanne Fedler

Joanne Fedler

Author, writing mentor, retreat leader. I’m an internationally bestselling author of nine books, inspirational speaker and writing mentor. I’ve had books published in just about every genre- fiction, non-fiction, self-help, memoir – by some of the top publishing houses in the world. My books have sold over 650 000 copies and have been translated in a range of languages. Two of my books have been #1 Amazon bestsellers, and at one point the German edition of Secret Mothers’ Business outsold Harry Potter- crazy, right?

Tanaka hated the car. In the years we inflicted trips to the vet for her annual checkup, she’d froth at the mouth, urinate and defecate in her cage. We soon found a travelling vet who came to us. It was the least I could do for her.

On mornings when I’d meditate, Tanaka would approach me, her purr loud and deep. She’d caress me with her tail and find a place close by to sit with me.

Our friend Melvin called her a ‘horny-assed cat’ because if you patted her lower torso, she’d raise her bottom. She didn’t like her tummy or her toes to be touched. Zed couldn’t help himself and would tease her trying to touch these off-limit parts. She’d often win, leaving him with bloody scratches.

When she was a young hunter, she’d often bring beheaded rats and disemboweled birds into the house.

She survived four moves and outlived two other cats we got over the years – Midnight, who died within two years of feline Aids, and Jinx, whose life ended after five years under the wheels of a car outside our apartment. Tanaka despised other feline company and was never so happy as the two years in which she was the only cat in the house. Then Archie came along. Tanaka disapproved from the start. He was a handful. A bully. She chose to spend more and more time outdoors.

In the past few months, she started losing weight rapidly. I noticed she was thirsty all the time. Tests show she has chronic kidney disease. We’ve put her on antibiotics, bought expensive ‘renal’ food which she hardly touches. But she shadows me wherever I go. Every day she lies on my bed, and I wrap her in a blanket, making her a ‘housey-wousey’ as we call it, where she can sleep all day away from Archie and his annoying pranks.

Now at night, I lie with her beside me, a raggedy parcel of cat-bones and fur, my heart bursting. ‘At most, a year,’ were the vet’s words. But with so little appetite, I wonder.

I have never nursed a dying person. My time will come. But here I am, loving what is leaving me. It is a painful, exquisite gift. I am in presence with impermanence and the fragility of life and friendship and unconditional love. I rest my head beside her and tell her the story of our friendship. She musters a mew, without sound. She purrs into my hand. She knows me so well. I don’t want her to go. And I am filled with tender gratitude.

Grabbing the Reins of Creativity

I remember as a kid thinking creativity was this wild, carefree, easy-going emotion that you just got into, rather like finger-painting. But as I have started using the innovative side of my brain as an adult, I realise what a fragile, ethereal thing creativity really...

How to Make ‘I’ Contact

One of the first rules of public speaking is to make eye contact with the audience. That’s how we connect and earn trust. In writing, our challenge is to make ‘I’ contact. We have to be connected in with our own story in order to connect people in to our story. Who we...

I Have Not Said Enough

I work as a journalist in South Africa, a country known as the rape capital of the world. Every afternoon I switch on my computer, make sure my WiFi is working, and begin to trawl the web for news stories about criminal cases that have reached the courts. It is...

How to Salvage Your Writing from the Crematorium of Cliche

Aspiring writers sometimes ask me, ‘How can I write like you?’ The answer is, ‘You don’t want to write like me, you want to write like you. You want to find your writing voice, and that will be nothing like mine.’ But I get what people are really asking me. They’re...

How to Love Time with Every Passing Birthday

We’re all just walking each other home. – Ram Dass   It's funny how much we fret about nonsense in the light of Ram Dass's insight, isn't it? How different would we behave if we lived each day with that as our premise? So when the 31st August comes around, I...

In That Place

In That Place When you find it Come back and tell us. What did you see in that starless dark? What heavens deserted you and how did you survive those broken nights in the jungle not knowing if you would ever be found again? How did you crawl from your bed...

In Search of Words about Writing

In Search of Words about Writing

In Search of Words about Writing

What is it like to write?

When I first discovered Dylan Thomas in my early teens, it unbolted a mayhem of yearning inside me. I knew only that I wanted to do that with language, to cause a rousing inside another, simply by the laying down of words in a particular order so that they pierce and prod, stir and surprise.

But it was only when I started writing in my twenties that I learned my own way into the writing process. Until then, I had never heard of how in writing you might come across your own strangeness and feel yourself grow large and curious as words trickle from somewhere (inside? outside?) like soft rainfall, and make their way onto a page. And then how you might stand back on the crest of a day’s work and appraise the shape of the world you have formed from nothing – a blank page.

When I’m in the density of writing a book, Zed notices. He says I disappear. A part of me slips away. My personality changes. I talk less. I recoil from noise. I cannot watch TV. I prefer my own company. But in this fading out, I am filling up. I’m surging, closing in on something that feels just within and just beyond my grasp. I close my eyes and let myself sink. I tumble like Alice down the rabbit hole, and any disruption, no matter how small breaks the reverie, like an alarm clock on a deep and powerful dream. It’s a radical act of surrender to an energy carrying me, a tiny surfer on a massive wave, sourced beyond the confines of my body and my ego.

I love to write when I’m half asleep, sometimes with eyes barely shut, and see what seeps out.

 

The 7 Day Writing Challenge

WINGS: Words Inspire, Nourish and Grow the Spirit

Writing is searching for a vein, the best vein, piercing the surface and letting the blood flow.

It’s an affair without the guilt. Knowing something others don’t – being in on a secret entirely your own.

It excites me in a way that nothing else does, a blind date with yourself, replete with eager anticipation – will this work out or won’t it? Will you leave with a flutter in your heart or disappointment? You never know until it’s done.

In my day-to-day life, I’m foolish and mundane; but in writing, I can be wise and profound, to the point of utter unfamiliarity, of self-startling, the way we might gawk at ourselves in the mirror, after a professional makeup artist and hairdresser have done their jobs. Who is that person? Consequently, I like much better the person I am when I write. I’m more interesting, fascinating, deep and thoughtful. When our writing is carefully edited and rewritten, not the blurt of a first draft, every single weighed up word is a musical note in a perfect melody. Writing is architectural, structured, the ‘mathematics’ in Jorge Luis Borges’ equation ‘art is fire plus algebra.’ It is a true marriage of the wild, mysterious and untamable, and the careful construction of engineering and craft.

You sometimes hear of people living double lives – I know a woman whose husband pulled this off before he left her for his second family. I can see the appeal – especially for those of us who find the idea of choosing one set of circumstances annihilating of freedom and choice. When I write, I am living this double life, without the commute or the deception. I am a self, larger than my choices and more beguiling than my personality. I can opt for the predictable and unimaginative (heterosexuality, monogamy, parenting, mortgage) because when I write, I breathe fire. I can force language do to things I cannot force anyone or anything else to do. I can pair words that do not belong together: heart-sweep. A bonfire of the groin. A huddle of psychoses. I don’t loathe myself for sitting in my sweatpants all day as long as I dance in stilettos and castanets on the page.

I do not know if I want to be myself if I cannot write. It is, like all terrible loves, filled with both longing and terror of how I would cope if I lost it.

How to Love Time with Every Passing Birthday

We’re all just walking each other home. – Ram Dass   It's funny how much we fret about nonsense in the light of Ram Dass's insight, isn't it? How different would we behave if we lived each day with that as our premise? So when the 31st August comes around, I...

What Took Me so Long?

There is an unease in the household. It’s not only the terrible news of the murder of Hannah Baxter and Laianah, Aaliyah and Trey, her three children at the hands of their father. It’s about an epoch of violence against women. It takes place in the context of my own...

Mistakes to Avoid When You Write a Self-Help Book

I’m such a huge fan of a great self-help book which can raise our vibrational frequency if the author wrote it with energetic integrity - not from a place of ego, but rather as a transmitter of wisdom and as an act of service to the reader. A book like this is often...

Grabbing the Reins of Creativity

I remember as a kid thinking creativity was this wild, carefree, easy-going emotion that you just got into, rather like finger-painting. But as I have started using the innovative side of my brain as an adult, I realise what a fragile, ethereal thing creativity really...

Make Sure Your Story Is a Story

The biggest mistake I made with the first draft of my first novel is that my main character Mia was passive. She did nothing - lots of shitty stuff happened to her. The problem is that characters who do nothing make us feel nothing. And if your reader doesn't care...

Books Are Like Besties

I equate the experience of reading a good book to sitting alongside my bestie and listening to her share a story in a raw and relatable way. I’m there in the story with her, her words evoking a variety of uncontained visceral responses. I’ve been known to snort, laugh...

In That Place

In That Place

In That Place

In That Place

When you find it
Come back and tell us.
What did you see in that starless dark?
What heavens deserted you
and how did you survive
those broken nights
in the jungle
not knowing if you would ever
be found again?
How did you crawl from your bed
In the days beyond
acceptable grief?
Who did you become
after they left you for dead
six of them, you said?
With what did you mend
and stitch yourself whole
and return to love without
ever having received it?
Take your precious beauty back
along those abandoned tracks
when you get there
let your voice rise
shout your name
In that place you are
strong, my friend.
Go this time to name
by what curious grace
you came back once.
You will never get lost there again.

*This poem is dedicated to all of the dear souls in The Author Awakening Adventure 2017group

Joanne Fedler

Joanne Fedler

Author, writing mentor, retreat leader. I’m an internationally bestselling author of nine books, inspirational speaker and writing mentor. I’ve had books published in just about every genre- fiction, non-fiction, self-help, memoir – by some of the top publishing houses in the world. My books have sold over 650 000 copies and have been translated in a range of languages. Two of my books have been #1 Amazon bestsellers, and at one point the German edition of Secret Mothers’ Business outsold Harry Potter- crazy, right?

8 Reasons to Write Your Story

As an author and writing mentor, my days are spent writing stories and helping others to write theirs. But every writer I’ve ever worked with (myself included) throws themselves down this emotional garbage chute: why should I write my story? Who will care? What does it matter?

I Have Not Said Enough

I work as a journalist in South Africa, a country known as the rape capital of the world. Every afternoon I switch on my computer, make sure my WiFi is working, and begin to trawl the web for news stories about criminal cases that have reached the courts. It is...

Are You Sharing or Over-Sharing?

I am by nature a sharer, and am delighted, for example, when people help themselves to food on my plate. As far as I’m concerned, few things are more enjoyable alone than in a group. I am happy to be shared with too. Tell me your secrets, your deepest desires and...

Make Sure Your Story Is a Story

The biggest mistake I made with the first draft of my first novel is that my main character Mia was passive. She did nothing - lots of shitty stuff happened to her. The problem is that characters who do nothing make us feel nothing. And if your reader doesn't care...

How the Scariest Moment of My Life Reminded Me I Am Safe

It was 2am on the second night of my recent visit to South Africa and I was wide awake with jetlag. I trundled down the stairs of my parents’ home, made myself a cup of coffee, called my husband in Australia, checked my emails and called my friend Katrina to discuss...

Surviving Teenagers

I call my kids to come see this YouTube video of some father in the US who ends his rant against his teenage daughter’s ‘I-hate-my-parents’ Facebook post, by emptying the barrel of a gun into her laptop. I suppose I’m hoping it’ll dawn on them I’m not such a terrible...