What Took Me so Long?

What Took Me so Long?

What Took Me so Long?

There is an unease in the household.

It’s not only the terrible news of the murder of Hannah Baxter and Laianah, Aaliyah and Trey, her three children at the hands of their father.

It’s about an epoch of violence against women.

It takes place in the context of my own inertia, in taking pride in the fact that I think I am a #goodman, in the fact that Joanne Fedler would not be with me if I was not a #goodman.

So, as usual, I sit back, I tut tut, I nod in agreement at the outrage rightly bursting out.

I agree that the Queensland policeman was an idiot and ill-informed with his “man pushed too far” excuse.

I agree that the media – with some exceptions, women writers mainly – spin a narrative that portrays actions of a man who was a good father, an ex-NRL player etc… and that confounds me.

I lazily cling to the coat tails of everyone else’s outrage.

I am dumbfounded by the behaviour, I believe I could never be capable of that.

As if that is enough.

So I sit back.

Maybe waiting for it to all die down.

But it doesn’t die down.

And like the violence, it won’t die down, unless there is a move to act and change.

So, not unexpectedly, that unease came to a head tonight.

(It’s the coming to a head part and my wife’s relentless challenging of me that led me to end up here in the first place.)

“You’re a coward.

“I am so disappointed.

“It’s because men like you don’t speak up that this happens.

“You’re so quiet.

“You’re part of the problem.”

I aspire to be carefully prepared if I am to tackle something publicly.

I am measured, I need the facts, time to reflect, think about the consequences, I don’t want a flame war, especially in the easily misconstrued bluntness of the grammar of Facebook. I generally don’t post much beyond inanities, and what good will a few “likes” do anyway?

“What are you waiting for?

“Waiting for the right time?

“You should be fucking furious.

“What if it was your daughter?”

There is no answer to these questions, other than action.

This is all also taking place in the smaller context of me totally coincidentally reading Peter Harris’ In a Different Time, an account of a famous political trial in South Africa in the late 80’s.

And what motivated people to not only take a stand, not only to speak out, but to act and to move for change. At great personal risk… as far as facing the death penalty.

So, so what if things are misconstrued, or so what if I am seen to be weak. It’s not weakness to do the right thing.

When I saw the distress and frustration in the tears of my wife’s eyes, carrying the sadness of Hannah’s family, of every victim of domestic violence in South Africa, in Australia, in the world, I thought, what the fuck am I actually waiting for. This is not difficult, just a start is easy.

I am embarrassed by the males of my species.

I do feel like a coward.

I am outraged.

We have to stop being lazy, we have to speak up.

Stop turning a blind eye.

Starting in the small places where we can.

In the boardrooms where lip service is paid to gender diversity, but nothing changes.

On the sports fields where hand eye co-ordination trumps sexual violence.

Stop listening to bloated shock jocks and call out casual misogyny, not to mention racism and homophobia, they seem to go together, sometimes.

I know my mates are outraged (you wouldn’t be my mates if you weren’t) and you all need to stand up and say you are outraged.

I’m not sure right now what the next step is, I am not a leader, I am maybe one monkey, but this is my start.

PS: Please don’t fucking say that this post is brave, because it’s not, it’s easy to type.

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May It Happen for You

May It Happen for You

May It Happen for You

Sometimes

Sometimes things don’t go, after all,
from bad to worse. Some years, muscatel
faces down frost; green thrives; the crops don’t fail,
sometimes a man aims high, and all goes well.

A people sometimes will step back from war;
elect an honest man, decide they care
enough, that they can’t leave some stranger poor.
Some men become what they were born for.

Sometimes our best efforts do not go
amiss, sometimes we do as we meant to.
The sun will sometimes melt a field of sorrow
that seemed hard frozen: may it happen for you

– Sheenagh Pugh

As we hurtle towards the end of 2019, I’m rounding the year up, harvesting the insights and trying to work out how I’ve become that weird and crazy person – you know, the type you see down at the beach in winter, swimming.

The year began with me flat on my back. That L3 L4 disc. I had to draw on my entire life savings of spiritual work to keep me steady and ‘trusting the story’ that was playing out.

It played out.

I took to water to learn to move again – I had to be reintroduced to gravity, like a disloyal friend who has to earn back our confidence.

The small forays in the ocean baths became swims across Coogee bay and that in turn has led me to the greatest love of my life (Zed knows, he’s good with it). Learning how to be in the ocean – to read the tides, understand the rips, manage the swells, use the waves – has taught me humility, courage and stamina. I’ve  now done four open water ocean swims – the kind of thing I consider a little reckless and extreme. The most thrilling part is that I don’t know who I am anymore. I used to ‘hate cold water’ and was ‘afraid of big waves and sharks.’ These are all still a bit true. But a little less true.

The ocean has become a life theme, a foundation of my every day, and it has helped me hold steady through a year of big decisions (letting go of my crazy busy-ness); writing a new book (The Sabbatical – the third in the Secret Mothers’ Business trilogy), staying somewhat sane while my 22 year old daughter was travelling alone through Europe for 6 weeks; big griefs and sadnesses. 

 

About Joanne

Joanne Fedler is an internationally bestselling author of 10 books, writing mentor and publisher. In the past seven years, she’s facilitated 12 writing retreats all over the world, mentored hundreds of writers (both face to face and in her online writing courses), set up her own publishing company, Joanne Fedler Media, and published four debut authors (with many lined up to follow). She’s passionate about publishing midlife memoirs and knows how to help people succeed in reaching their goal to become a published author.

In April this year, l lost a beloved friend, Carol Thomas. She was maybe the best obstetrician and gynecologist, but without doubt, one of the magnificent humans you’re lucky to meet once or twice in your life. I met her when we were both women’s rights activists on the Reproductive Rights Alliance in South Africa many years ago. She delivered my son Aidan in 1999. Her death seared my heart and brought me to my soul’s knees. I kept swimming, sobbing my grief into the water, my goggles filling with tears.

It was a blessing to then come upon Stephen Jenkinson and his two astonishing books Die Wise and Come of Age which have literally changed me – how many books ever do that? Jenkinson says being an elder is about ‘having your heart wrecked on schedule.’ And so it has been.The water has held me through it all – the stingray, the blue gropers, the small silver and gold flecks of fin, the jimbles that have stung me ragged, the speckled wobbegongs, the large manta rays that have terrified and thrilled me, even a small Port Jackson shark (harmless, by all accounts) I came a little too close to one morning.

The sea has offered me daily astonishments with which to actively forge joy – a mercy in the face of all that has crept in as cruelty and suffering, including the terrible effects of climate change around us that are hurting our earth and the future of all sentient beings.

Of course, life is always mottled. Beauty shines like the gold resin that holds broken pieces together in the Japanese art of Kintsugi. A happy collaboration with talented artist Margaret Rolla came to fruition this year in a little book of Meditations and Visualizations for Aspiring Authors and Writers  as we turned the meditations from my signature Author Awakening Adventure course into an exquisitely illustrated book. It is Marg’s first book, so yet another celebration. Lucky for you, it’s just in time for Christmas and Chanukkah gifts.

Aren’t her illustrations exquisite? I hope you’ll grab a copy or two to gift over this festive season.

After I’ve finished the rewrite on The Sabbatical, I’m planning a couple of retreats next year – some will be for writers (I’m especially interested in working with women leaders who need support and mentorship to bring a book into the world). Others may involve healing through storytelling, family constellations and even ocean swimming (When Wound Meets Water) through collaborations with some spectacular and powerful women. In this way, I hope to cross paths with some of you in 2020.

I wish you all a blessed festive season and new year. As the Pugh poem above goes, sometimes goodness prevails.

May it happen for you.

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How to Touch What Is Beautiful

How to Touch What Is Beautiful

How to Touch What Is Beautiful

‘I did not survive to be untouched.’ – Mark Nepo

Today, my friends, is my 52nd birthday. I know, right? I don’t look a day over 50.

The past year has been a mix of magic and mayhem. I count among the highs my discovery of ocean swimming and the return of my writing fire. A serious back injury, and the loss of a beloved friend, Carol Thomas took me into some deep grief that keeps coming back and nudging me, reminding me how impermanent everything is.

2019 has also been the year when we’ve finally woke up to what’s happening on our planet. 

It’s so difficult not to feel overwhelmed with indifference, anxiety, anger and sadness. You may find yourself escaping into food, drink, shopping, travelling or Netflix just to get some relief. We’re all looking for ways to stay untouched by what is going awry around us.  

It’s a simple wish, isn’t it? The desire to feel happy and well. But in a world that is diseased and poisoned, perhaps it’s impossible to feel truly well or happy when everything is so askew.

So maybe we can’t have ‘happiness,’ but what is certain is that we can touch it. Now and then. Maybe we can’t be ‘calm’ or ‘peaceful’ all the time but we can taste it, here and there. We owe it to ourselves to touch what is beautiful and meaningful. If we can keep returning to touch and be touched by awe, gratitude and wonder, we stay connected, alive, in tune with what is both painful and the grace that helps us overcome pain.

For a while, I’ve been thinking about how to create something that could bring pleasure or joy or mindfulness to others – through writing. Not a big project like a book, something small, manageable and designed to be fun.

So I put together a little joy-bundle called Just A Touch – it’s 24 writing exercises over 24 weeks. Each exercise takes you somewhere, just for a while, and lets you play.

Just a Touch Online Writing Course - Exercises

Just a Touch is designed to:
– bring the kindness of writing into your life;
– connect you to your heart through writing even if you don’t know where to start;
– tickle your writing bone and take you by surprise.

It would help me immensely to cover the costs of the creation of the course if you’re able to purchase it for $39.95 AUD.
However, if for any reason, you cannot afford this, please don’t let this stop you.
You can pay whatever you like for it over $1 AUD. 

 

About Joanne

Joanne Fedler is an internationally bestselling author of 10 books, writing mentor and publisher. In the past seven years, she’s facilitated 12 writing retreats all over the world, mentored hundreds of writers (both face to face and in her online writing courses), set up her own publishing company, Joanne Fedler Media, and published four debut authors (with many lined up to follow). She’s passionate about publishing midlife memoirs and knows how to help people succeed in reaching their goal to become a published author.

Joanne Fedler birthday

‘I write and I feel how the tenderness and intimacy I maintain with language, with its different layers, its eroticism and humor and soul, give me back the person I used to be, me, before my self became nationalized and confiscated by the conflict, by governments and armies, by despair and tragedy.’ – David Grossman

 

It would give me such pleasure to know you’ve chosen to touch your writing over the next 24 weeks, and that you’ve committed to the radical act of being touched by the grief and grace of your life.

Get Just a Touch here.

It’s super-easy:

* purchase the Just A Touch course by clicking the button below or click here;

* you will receive your first writing exercise immediately;

* every week, for the next 23 weeks, you’ll receive a new writing exercise in your inbox

(if you can’t find it in your inbox, please check your spam/promotions folder).

I had so much fun creating these exercises, I hope they’ll keep you in touch with the part of you that needs nurturing in these troubled times.

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There is an unease in the household. It’s not only the terrible news of the murder of Hannah Baxter and Laianah, Aaliyah and Trey, her three children at the hands of their father. It’s about an epoch of violence against women. It takes place in the context of my own...

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Bad Art Is Fabulous in So Many Ways

Bad Art Is Fabulous in So Many Ways

Bad Art Is Fabulous in So Many Ways

‘Our spiritualities will be found not in what we profess, but in where our energies are most invested most hours of most days.’

James Hollis

Bad art is fabulous in so many ways.

Instead of letting poor writing or bad movies depress you, you can use them to inspire you. They can be a source of deep learning. In talks or on retreats, I bring out two books to prove my point that anyone can write a book – Roundabouts of Great Britain and Images You Should Not Masturbate To, both published by traditional publisher. True.

I’m right in the heart of writing my new book, The Sabbatical, about a group of women in their fifties, in which I want to shatter and refuse to accede to the defeating clichés about midlife, you know – the despair about ageing, sunspots, wrinkles, crowsfeet, the paunch, urinary incontinence, the muffin top, the weight gain, the libido-MIA, senile warts, the onset of all kinds of age-related (age-appropriate) wear ‘n tear, conditions, even diseases. We are worn-down-to-death by these narratives, they offer us nothing but same-old stories; an accession to decrepitude; more of what came before.

The Sabbatical is the third in the trilogy of Secret Mother’s Business, and explores the empty nest, divorce, widowhood, sickness, regret, relationships with adult children and the deep questions of what our responsibility is to the younger generation. I just didn’t want to fall into the bemoaning trap: getting old sucks, we’re invisible, woe are our tired-dried-up bits; let’s have another glass of wine.

So I was excited to see Amy Poehler’s directorial debut in the movie Wine Country, about a group of old friends who go off to Napa Valley to celebrate one of the friend’s 50th birthdays. Finally, a movie about women my age – ’bout time. I settled down to watch this, with huge anticipation thinking it would surely give me inspiration.

Joanne Fedler

Joanne Fedler

Author, writing mentor, retreat leader. I’m an internationally bestselling author of nine books, inspirational speaker and writing mentor. I’ve had books published in just about every genre- fiction, non-fiction, self-help, memoir – by some of the top publishing houses in the world. My books have sold over 650 000 copies and have been translated in a range of languages. Two of my books have been #1 Amazon bestsellers, and at one point the German edition of Secret Mothers’ Business outsold Harry Potter- crazy, right?

I am always loathe to take up the role of the critic, it being such an easy, lazy position, generally by people who don’t create themselves. But – and this is a strong opinion – I detested this movie. If that’s what women become in our midlife, we are surely doomed – ridiculous, alcohol-motivated, sex-with-younger-men-seeking ego-maniacs. I wanted to be no-one in that movie. I didn’t want a single one of those women as my friends.

I love the talent of the actresses in that movie, but I wish Amy Poehler had just asked herself: what do women in their fifties need to know about themselves that society doesn’t already push down our throats? What kind of role models are women who are not obsessed with romance, body image, children and getting independently wealthy? What ‘message’ or vision of life is this movie in service to?

James Hollis writes, in Hauntings:

‘The goal of life (these days) is not an afterlife, but apparently to enjoy this one. But the materialistic vision of our time leads to this dilemma: if the numinous is not experienced in the outer world, it will manifest either as somatic illness, internalized pathology, or we will be owned by our search for it among the objects upon which we have projected our existential yearning in the outer world. Thus shiny new objects, seductive technologies, sex and romance, hedonism, self-absorption and most of all, distraction, constitute the chief ‘spiritualities’ of our time.’

Wine Country has been a great inspiration for my new book but not in the way I expected. It has helped me clarify the kind of women, conversations and bigger picture message I want my book to convey by showing me what I surely do NOT want to reflect back to readers. I want readers to finish my book, excited about ageing; their inner wisdom and the strength of their life experience to offer light to the younger generation.

So, I guess, thanks Amy Poehler for the awfulness that is Wine Country which has helped me shape, conceive and give life to my characters – women who are, each in their own way, strong leaders, deep thinkers, and who are taking our responsibility to lives beyond our egos, seriously.

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Show Don’t Tell: A Golden Rule of Writing for Aspiring Authors

Show Don’t Tell: A Golden Rule of Writing for Aspiring Authors

Show Don’t Tell: A Golden Rule of Writing for Aspiring Authors

One of the trickier ‘golden rules of great writing’ that can be difficult to understand and execute is the ‘show don’t tell’ rule.

Anton Chekhov wrote, ‘Don’t tell me the moon is shining; show me the glint of light on broken glass.’

What does it mean to show not tell?

It’s the technique of painting a picture for the reader rather than spelling out what a character is sensing or feeling.

When should we use the ‘show don’t tell’ rule?

Generally, when we’re writing about emotions and senses, showing works well. However, we need a balance of showing and telling in a text. Telling is more effective when we’re summarizing backstory or describing action.

Why should we use it?

When we show, we paint an image for the reader (like in movies) so the reader gets to interpret and feel his or her own emotional response. This is how we create rich, vivid text that is open to interpretation. It makes writing inviting, not didactic.

E.g. She was grief struck (telling) versus ‘Something cold flickered inside her, memories of her mother moved like minnows beneath a dark surface.’(showing)

When we ‘show’ we leave spaces for the reader to fill in with his or her imagination.

The movie director, David Mamet talks about ‘telling the story in cuts…through a juxtaposition of images that are basically uninflected…a shot of a teacup. A shot of a spoon. A shot of a fork. A shot of a door. Let the cut tell the story. Because otherwise you have not got dramatic action, you have narration. If you slip into narration, you are saying, ‘you’ll never guess why what I just told you is important to the story.’ It’s unimportant that the audience should guess why it’s important to the story. It’s important simply to tell the story. Let the audience be surprised.’

Telling robs the reader of his or her own emotional take on the situation. It flattens instead of expands the text.

‘She is lonely’ versus ‘She looks for a kind face but never sees one.’

When we ‘show’ we’re letting the reader in, we’re writing for the reader. Showing opens rather than closes the text.

‘He felt hot’ versus ‘Large half moons of sweat grew at his armpits.’

The writer Adam Robinson’s exercise for showing not telling is: drop an adjective into a sentence like this ‘He was so….. that he once.’ Or ‘the day was so cold that…’ Then delete the first half of the sentence.

Have fun experimenting.

Keep writing – the sentences you don’t write keep you where you are. The ones you do, take you places.

PS: Show Don’t Tell is just one key element of writing. For more tips and exercises to strengthen your craft, sign up for my 7 Day Free Writing Challenge.

Join the 7 Day FREE Writing Challenge

 

This writing journey over one week will serve those who are new to writing and don’t know where to begin or what to write about. As well as seasoned writers, we all need to reignite an old flame with words to see if there’s any chemistry.

Join me for my next 7 Day Free Writing Challenge and learn simple but profound writing tricks.

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