Why I Struggle to Share My Writing on Social Media

Why I Struggle to Share My Writing on Social Media

Why I Struggle to Share My Writing on Social Media

“You should share all your work on social,” an editor told me firmly, some years ago. And from then on, I did. Every time one of my articles was published, I dutifully posted a link to Facebook. And each time I felt miserable, as I anxiously awaited the dopamine-inducing ping of a ‘like’ or ‘share’.

It wasn’t just that one editor’s comment. My writing mentor also insisted that my social media profile was essential to getting my work out into the world. I needed to build my Personal Brand, as if I was the next Dyson, or Ben & Jerry’s. But to me, constructing my own brand felt like corporate-speak for what was really Shameless Self-Promotion.

My writing mentor admonished me when I told her how conflicted I felt. When you share your writing, you give people the chance to be touched and feel something, she emailed. Sharing your work is a gift to others, not about ego or self-promotion.

But still, I struggled.

You see in real life, I’m an introvert. I’ve always preferred having a few close friends to being part of a large group. And I don’t like being the centre of attention. But posting links to my stories on Facebook and LinkedIn catapults me right into the limelight. This leaves me feeling exposed and vulnerable, like I’ve turned up naked to a fancy dress party.

Despite my aversion to sharing my work on social, I couldn’t help myself. After posting a link to one of my articles, I’d compulsively check my Facebook page, as if a ‘like’ or ‘share’ made me happier, or a better person (it didn’t). But while I was thrilled by the positive feedback, I was deeply troubled by the ‘friends’ who stayed silent. Why hadn’t cousin Sophia ‘liked’ my article, especially when she’d ‘liked’ cousin Katie’s holiday snaps, posted just minutes earlier?

.

About Elana

 

Elana Benjamin is a writer, qualified lawyer and mother of two. Her work has been published in Good Weekend, The Sydney Morning Herald, Sunday Life, Essential Kids, Debrief Daily (now Mamamia), SBS Life and the Jewish Book Council blog. She’s also the author of the memoir/history My Mother’s Spice Cupboard: A Journey from Baghdad to Bombay to Bondi (Hybrid Publishers, 2012).

My Facebook feed, I realised, was tapping into my deepest insecurities. My fears of failure. Of rejection. Of embarrassing myself. And, perhaps most importantly, my need to be liked. I tried repeating author Steven Pressfield’s mantra: “You are not the work.” Logically, I knew this was true.  But I had difficulty separating myself from my words.

My ambivalent feelings towards social media continued for years until a few months ago, when I decided to conduct a little experiment. I’d had an article published online but decided not to share it on social. My words were in the public domain, but some of the most important people in my life didn’t know.  This felt lonely, like spending a birthday without family or friends. And I realised that by trying to shield myself from vulnerability, I was missing out on one of the most joyous parts of writing: interacting with readers.

After that, I called a ceasefire in my battle with online platforms. I still find that sharing my writing on social media dissipates my energy, but I’ve learned to tolerate the discomfort.  When I post one of my published pieces to Facebook or LinkedIn, I accept that I’ll probably feel destabilised for a day or so, like I’m on a roller-coaster ride. I force myself away from my screen, and go for a walk or a swim. Or I bake scones to eat with my kids when they get home from school.  Anything to help me feel more grounded.

These days, I know that even if people read one of my articles, they’ll soon move on to the next story. And then it will just be me and my laptop again. So I try to enjoy the fleeting moments when I connect with readers, knowing that all I can control is what I write, not how other people react. I focus on the feedback that I do get, instead of zeroing in on those virtual bystanders who don’t respond to my posts. And over time, I’ve learned to disentangle my self-esteem from the success (or lack thereof) of my writing.

Yes, social media can feel like a very public popularity contest. But Facebook and other platforms are gold when it comes to spreading our stories. The trick, I’ve learned, is to use social media as a tool to serve our individual needs as writers. We must look confidently at our Facebook and LinkedIn feeds and be clear – just as my son told me defiantly when he was four – that “You are not the boss of me.” And know that regardless of what happens in cyberspace, our worth as humans in the real world remains intact.  

Come and Join the Midlife Memoir Breakthrough

A Five-Day Live Event in Sydney with Joanne Fedler

In this hands-on, intimate workshop (an eclectic mix of teaching, instruction, writing exercises, meditations, ritual, sharing and other joyful activities), I will teach you how to take the material of your life – the moments that counted, no matter how shattering or modest – and weave them into a memoir that makes sense of it all.

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People with Passion Interview with Xanti Bootcov

People with Passion Interview with Xanti Bootcov

‘I’m terrible at spelling and my grammar is horrible,’ Xanti said to me. ‘I think I am even dyslexic. But I have a story I need to write, and I need your help.’

It has taken two and a half years of dedicated commitment, but finally, today, Joanne Fedler Media is proud to be publishing her book, But They Look So Happy, about Xanti’s experience of adopting two six-year-old boys from a Mexican orphanage. This book means so much to me because it’s the first book Joanne Fedler Media has nurtured from inception to publication. 

Xanti Bootcov - But They Look So HappyWhen they adopted their boys, Xanti and her husband knew their sons had suffered untold abuse and neglect, but they believed that love would heal all wounds. Life didn’t turn out that way. This is a heart-wrenching journey into one family’s experience of adoption as two adopted boys struggle to become part of a caring family and Xanti faces the fact that her love will forever be unrequited.

It is a heroic memoir, in which Xanti learns to value everything she gave even in the face of rejection, and will make you think about what it means to be a ‘mother’ in a completely new way.

 

PLEASE SUPPORT THIS WONDERFUL NEW AUTHOR
BY BUYING A COPY OF HER BOOK

Why She’s Fabulous

 

Xanti was born in the late ’60s and grew up in South Africa. As a little girl, she found out how powerful writing could be when her first-grade teacher asked the class to write an essay. She learned that it wasn’t a good idea to write about having a teacher who shouted all the time. It took her another forty-five years to show her writing to anyone.
 
Xanti - But They Look So Happy
She started travelling at the age of fourteen and has lived in seven countries. She learned something new from each, which has added to her eclectic lifestyle. She’s been through earthquakes, volcano eruptions and a couple of fires. But her life changed completely after she witnessed the realities of abandonment and abuse in a Mexican orphanage, and that’s when she adopted her two sons. Her experiences as an adoptive mother have shaped her view on parenting, childhood and everything else that matters.
 

Xanti is fascinated by the human psyche and longs to understand the reasons we do the things we do and it’s this perspective she applies to writing her memoir. Xanti is no ordinary person, no stereotypical ‘mother.’ She is a gypsy-hippie-lover-of-all-creatures and has a unique voice that permeates this wrenching, and honest account of her efforts to be a mother to her two boys. 

Here’s my People with Passion interview with Xanti:

If you want to learn more about Xanti, you can visit her website at www.xantibootcov.com or check out her Facebook page.

 

When Xanti and her husband adopted two six-year-old boys from a Mexican orphanage, they knew their sons had suffered untold abuse and neglect. But they couldn’t leave them where they were. Xanti believed love would heal all wounds. She was wrong. This is a heart-wrenching journey into one family’s experience of adoption as two adopted boys struggle to become part of a caring family and a mother faces the fact that her love will forever be unrequited. This is a heroic memoir by a debut author who learns to value everything she gave even in the face of rejection.

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Spelling Out My Story

Spelling Out My Story

Spelling Out My Story

“Bernard! If you don’t stop that, I’ll go get the sack.” That was all Marie said, and her son stopped, looked up in fear, and apologised. Marie relaxed back into her seat and explained, “He knows I’ll hang him in the sack from a tree for an hour. It’s funny, he is so scared of the sack. I can get him to do anything.”

My mother’s colleague had brought her family for a Sunday BBQ and she was happily sipping on her cocktail. I sat next to my mother and thought, “When I am grown up, I don’t want to be a mommy like her. I want to be a mommy like mine. One who sits at my dolly-tea-parties and pretends to drink imaginary tea and reads bed time stories.”

As a child I was not a good reader. I was not a good writer either. If my life depended on spelling, it would have had a very sad outcome. I would carefully write the words that I actually knew how to spell. And I used up a lot of energy finding ways to trick my teachers into believing that I had bad handwriting over bad spelling habits. That was until I was sixteen years old and an English teacher told me to stop focusing on spelling. Grammar, he said, was for cowards. “I want to know the story. If I can’t imagine it, then no good-spelling is going to get me there anyway.”

I took his words as gospel and I began to tell stories.

.

About Xanti

Xanti was born in South Africa in the late ’60s. She enjoys travelling around the world, which is why she has lived in seven different countries. She believes in equality for all people. Xanti gave up on a single career path when it became necessary to choose between travel and career. After seeing the shadows and the light of abandonment and abuse, she adopted her two children. She has always been interested in understanding why people do what they do. This helped her when her experiences as an adoptive mother shaped her view on parenting.  She’s been through earthquakes, a volcano erupting and a couple of fires. Currently, Xanti lives in Mauritius but continues to travel the world whenever possible.

You can visit her website at www.xantibootcov.com
Or her Facebook page.

As a mother desperately trying to find the middle ground between the dreaded sack and the imaginary tea-parties, I turned to writing to get me out of some of my saddest moments. I was a mother who felt like I was failing every test, but I found acceptance and healing in the words I banged out on my keyboard. My spelling was bad. I couldn’t grasp the active voice and I wasn’t even sure if I could remember an adverb from a pronoun, but write I did. Tears dripped some days. Giggles filled the house on others.

I found meaning and understanding, and I found my place in my story. Don’t get me wrong, I still think spelling and grammar are important. There is a whole world of meaning between “a part” and “apart”. Don’t even get me started on the difference between “your” and you’re”, but here is the thing: Words are important. How could you explain that your heart is sore if you don’t know the word for heart? How would you say that you are in love if you didn’t have the language to express the emotion?

As for my parenting skills? Well, you’ll have to ask my children if I ever brought out the sack. I know I tried to give my children the best life I could offer. I know I had good days and I know I had bad ones. Days where I succeeded and days when I felt I was worse than the tree-sack-hanger. But through all of that, I repeated the same message that I was given all those decades ago. Let me hear your story. Tell me your story. Write your story.

Give it a try and maybe you will find yourself in between the lines. Or even more meaningful, perhaps someone else will find themselves between your paragraphs. What could be better than that?

Being able to spell onomatopoeia?

Come and Join the Midlife Memoir Breakthrough

A Five-Day Live Event in Sydney with Joanne Fedler

In this hands-on, intimate workshop (an eclectic mix of teaching, instruction, writing exercises, meditations, ritual, sharing and other joyful activities), I will teach you how to take the material of your life – the moments that counted, no matter how shattering or modest – and weave them into a memoir that makes sense of it all.

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How to Stop the Great Unravelling at Midlife

How to Stop the Great Unravelling at Midlife

How to Stop the Great Unravelling at Midlife

We have two lives,
and the second one begins when you realise you only have one.
– 
Mario de Andrade

You will wake up one day and without looking at your iPhone, you’ll know that you are running out of time.

This bolt of insight will have less to do with your age in chronological time than with the state of your heart. If you’ve been on the run all your life from the truth, that somewhere ‘out there’ is your last day, your last breath, this will come as something of a nasty shock, as if you’d just worked seven years for one bride, and only now discovered you’ve been tricked into marrying another. Or that the terms you thought you’d agreed to have been unilaterally changed and you now want a refund, because who in their right minds would agree to that?

You may want to throttle the teenager, turn your back on the husband, drop the career you’ve been so carefully climbing the ladder towards, never cook another meal again, sell everything, find a younger lover, walk the El Camino, learn to scuba dive, paint, build a tiny house and work out who the hell you are now that nests are emptying and your ovaries have said, “I’m outta here.’

Brene Brown talks about this as the ‘great unravelling.’ It may turn up in our lives as depression (is it just menopause?), anxiety (menopause again?), contemplating divorce or a career change (surely that can’t be menopause??), joylessness (definitely menopause), having an affair (seriously, if not now, when?), resentment at events long-past, late-onset-lesbianism or bisexuality (OMG, that’s an option??) unhappiness for no reason, feelings of irrational rage, disappointment (in ourselves, our relationships, our lay-byed dreams), emptiness, wanting to leave it all behind, directionless-ness.

In the middle of the journey of life, I found myself in a dark wood
where the true way was wholly lost.
– Dante

Joanne Fedler

Joanne Fedler

Author, writing mentor, retreat leader. I’m an internationally bestselling author of nine books, inspirational speaker and writing mentor. I’ve had books published in just about every genre- fiction, non-fiction, self-help, memoir – by some of the top publishing houses in the world. My books have sold over 650 000 copies and have been translated in a range of languages. Two of my books have been #1 Amazon bestsellers, and at one point the German edition of Secret Mothers’ Business outsold Harry Potter- crazy, right?

The deepest questions of identity re-emerge to destabilize us just when we thought we had it all together.

Who are you?
Where did you come from?
Why are you here?

Seriously, after all we’ve been through?

Trust me, you are not alone.

In midlife, a seismic shift occurs between our past and whatever future lies ahead. Our ego-structures no longer work (who am I, again?), and we have to return to the labor of self-definition once more. We may have lost a parent or two. Our kids may have left home, or we realise we’re never going to have those kids we meant to have. The tummy pouch doesn’t help. The insomnia makes everything worse. We feel confined and belittled – by a stagnant relationship, stultifying routine or past failures and mistakes. Even our successes aren’t benign – we look back and are filled with sorrow at how many doors we never opened while we chased our goal of becoming an ‘expert’ or ‘specialist.’ It seemed like a good idea at the time – having something to ‘fall back on.’

We question why we were so quick to say ‘I do,’ ‘I’ll take that promotion,’ ‘sure, let’s have another kid.’ The roles and expectations we’ve been in service to no longer fit who we’ve become. Everything is too tight or too loose. We’ve outworn our responsibilities, graduated from our histories and outgrown the version of ourselves we’ve spent so long chasing.

We wonder, not just a little, what life has been suppressed inside us to get us to where we are.

And goddamit, we always wanted to write a book.

Dear soul, this is it.

This is where your second life begins.

Now is the moment to go back to retrieve what we left behind in our past as too painful or shameful. Here is when we arrange a meeting with those we swore we’d never forgive (that meeting may even be with ourselves). We divest ourselves of what is unnecessary – yes, it’s taken just this long for us to know the difference between what is and isn’t serving us.

Geoffrey Davis’s exquisite poem ‘What I Mean When I Say Farmhouse,’ takes him back to a memory as a boy, as loneliness and his parents’ unlived lives shadow his childhood. He ends the poem with:

             I want to jar the tenderness of seasons,
to crawl deep into the moment. I’ve come

             to write less fear into the boy running
through the half-dark. I’ve come for the boy.

At this midlife moment, our job is to go back for the parts of ourselves that we left behind and ‘write less fear, betrayal, suffering, pain, trauma’ into our stories. We integrate the place where the suffering began, with who we have become. We take the power of who we are now and lend it to the part of ourselves that was most powerless.

And in that meeting, something magical happens.

I want to create the perfect environment for this meeting and so I’ve created a transformational live event in Sydney from 18-22 March 2019. It’s the Midlife Memoir Breakthrough for 20 people who are ready to write into these stories.

Please come join me.

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Memoir Is a Moving Target

Memoir Is a Moving Target

Memoir Is a Moving Target

I thought I knew what my memoir was about. I was there after all. I thought it was a matter of working out where to start and where to end so I could settle my story down somewhere in between. How difficult could it be?

So I started writing, in earnest, in the place I thought was the beginning. I wrote some more, and the beginning fell in love and became the middle. Then the end went off to boarding school and became the beginning of the end. The bloody middle lost weight and became invisible, and I killed the darling. The end got cancer and became the beginning.

It was like trying to teach overwrought grasshoppers to line dance.

I found myself walking up a hill every afternoon with “how do I solve a problem like my memoir” echoing in my head to the refrains of Rodgers and Hammerstein. I just wanted my story to stand still a moment so I could pin it down. But it wouldn’t. It kept on with its manic bouncing until one morning, I stopped trying to control it and allowed myself to rest in the confusion and chaos. This wasn’t a science experiment; I didn’t need to have a hypothesis on how it was going to end when I threw sodium into the swimming pool.

I learnt to focus less on line dancing classes and control, and to think more deeply on what was emerging and presenting itself in the writing. Writing memoir is a moving target. Maybe it is supposed to be a moving target; maybe it’s supposed to shake things up.

Maybe that’s the point: so as the target moves, you see the stuff behind, underneath, beyond.

.

About Barbara

 

Very little in Barbara Matthews’ life has turned out the way she thought it would. She certainly never thought the right side of her brain would amount to much – it seemed superfluous in a world of numbers and the periodic table. A midlife career change into the practice of Palliative Medicine in rural South Africa forced Barbara to find language for experiences resolutely resisting the boundaries of science. Her writing has become a practice of self-care and meaning-making as she makes friends with the angel of death.

It wasn’t only the story that was moving and growing and changing. I was moving too. I stopped standing in one place and began shifting my view. Something happens when we extract feelings, emotions, and memories from our neurology and metabolise them and set them down on the page. It’s a curious alchemy. Writing about your life is not about noting what you did on Friday the 14th of March 1986. Who cares? Unless it was the day you swallowed a shard of glass and your gut exploded and you had a near-death experience on an operating table in Cairo. Unless it was the day you turned down a marriage proposal from the boy next door who became a murderous stalker and opened a cake shop. Even then, the details only matter if you can pull meaning from them. Things start to settle when you begin to make meaning, and sometimes they may jiggle some more, until you look again. It’s okay, the moving and jiggling; it’s how you know you’re finding the good stuff.

I am no longer alarmed when the ground begins to lurch. I get out the trekking poles, put on the hiking books, and keep on climbing. It is the only way to get to a high vantage point, away from the emotion and participation of the moment remembered, to a place where I can glimpse the landscape. 

The writing is changing me. The changing me is changing the writing.

When I started, I thought I knew what it was all about. I didn’t know. The knowing can only come with the work, the reflection, the practice. Be brave, be bold, be curious. It’s the only way to hit that moving target.

Come and Join the Midlife Memoir Breakthrough

A Five-Day Live Event in Sydney with Joanne Fedler

In this hands-on, intimate workshop (an eclectic mix of teaching, instruction, writing exercises, meditations, ritual, sharing and other joyful activities), I will teach you how to take the material of your life – the moments that counted, no matter how shattering or modest – and weave them into a memoir that makes sense of it all.

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