7 Things the Writing Community Can Do for You

7 Things the Writing Community Can Do for You

7 Things the Writing Community Can Do for You

Being part of a writing community has changed so much for me. I have been a writer my entire life, but I have almost always navigated the ocean of words on my own. Only in the last year have I come to realize what it means to my journey to have other oarsmen in the boat with me, fellow travelers reaching as I reach, all of us gaining momentum from the knowledge that we are moving through the same storms en route to our individual ports. Surely the salt on our brows is the same; truly the wind filling our sails blown from islands of inspiration.

Alright. That’s enough of that ship.

It is precisely in avoidance of such a collapse into cliché that I can turn to my writing community. They are there to help me keep my grammar in check, and to encourage me to delve deeper into my characters or setting. They commiserate over growing piles of rejection letters. For all the obvious reasons, I am grateful for those trusted individuals I have finally learned to recognize as an integral part of my writing process, but there is more to it than that. There was a learning curve, as I slowly acquainted myself with what it means to engage with other writers, and its particular sweep revealed a plethora of subtle advantages.

  1. I was able to practice sharing my story, not simply through edited selections of writing, but also through comments and discussion. This process has helped me to become clearer on what I want to share as I write my book, to experiment with exposition versus scene, and to better appreciate what others find engaging and valuable.

2. In those first tentative shares of my writing, I opened myself up to feedback, even if it was initially on the saccharine side (most writers, I find, are blessed with the instinct to gingerly handle such fledgling offers). Practice at dealing with critique is necessary, and learning to do so gradually allowed me to build my way up to a place where I became eager for the feedback, knowing that it will improve my work and make me a more critical thinker.

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About Jennifer

Jennifer wrote her first poem at the age of six, and she has been involved in the world of words as an editor, a blogger, and an article writer. She is published in and shortlisted for a growing number of local, national, and international electronic and print publications.Most recently she had an essay, titled Bairnlorn, appear in the Globe & Mail, placed first in the My City, My Words poetry contest, and wrote and handcrafted a board book for her son.

She also tells terrible jokes.

  1. Joining online forums, workshops, and meet-up groups introduced me to a wider array of people who provided me with the opportunity to think beyond the confines of personal perspective, and to make some thoughtful assumptions about what others might read in a particular passage. I can look at my writing with an eye for what others might take from it now, whereas before I could only see it subjectively. One of the best scholastic exercises I ever undertook was having another person read something I had written out loud. I was fortunate in that the person I was paired with was the one in the class furthest from my own experiences. The difference in literal voice – the timbre, the pauses, the emphases – was astounding, and it made me realize how what we hear in our own heads as we write may not be close to how it is interpreted by our readers.
  1. Simply listening proved invaluable. In witnessing the stories of others, I became grounded in the knowledge that while my own tale is unique and needs to be told, that it is also just one amid those of everyday people, living lives of joy, tragedy, confusion, suspicion, and resolution. There is great comfort in knowing how relatable each of our individual threads can be.
  1. I became connected to the hard work that I need to be doing. Occasionally, this happened because I could sense the hallow excuses of others and began to more easily recognize them when they came tumbling out of my own mouth. But mostly, it was because as I listened to the members of my writing community comment on what they were giving up to write, I found myself moved to push through the inspirational droughts.
  1. It gave me cause to celebrate their wins – collaborations, shortlists, awards, personal word count bests, filling in longstanding plot holes – and to know that each step is in itself a victory. It helped me view firsthand the reality that successes are possible.
  1. I realized that when I stay connected to my writing community that I stay connected to my writing.

That last point was probably the most important one for me. I know now that finding my community is one of the biggest things that I changed to move from writing being a hobby to it being what I do every day. Somehow, in all the years that I dabbled in what I claimed as a passion, it never occurred to me that surrounding myself with similarly focused people could help me to make my craft a priority.  Knowing others have some sort of expectation of me as a writer – whether to compose a poem, dig into research or an outline, or deliver a finished chapter for feedback – makes me take myself more seriously. And it manifests as a driving force that keeps my pen moving across the page and my fingers dancing across the keys.

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Nobody Walks This Earth Alone

Nobody Walks This Earth Alone

Nobody walks this earth alone.

TS Eliot wrote, ‘April is the cruellest month,’ but he got that wrong. It is June.

Yeesh, it was a bad month.

My work threw up one hardcore challenge after the other. I barely had a chance to catch my breath before the next one hit. There were moments when I questioned why I’m doing what I’m doing. It was that bad.

And just when my skin was at its thinnest, my darling cat Tanaka died in my arms after a friendship long, loyal and loving. Letting her go has hurt hard.

Joanne and Tanaka

It’s been every shade of sorrow and adversity. Which makes it sound personal. Of course, nothing is ever personal, unless we make it so. The universe offers us a mirror. Whether we want to look into it, is our choice.

Mary Oliver reminds us that ‘all things are inventions of holiness, some more rascally than others.’ I need this tattooed somewhere visible. Maybe my palm.

I’ve spent the past few weeks doing a soul inventory. Managing our grief requires both discipline and surrender. To see past our own blind spots can cause whiplash. We need strong self-love in the first place to undertake a journey of self-improvement and take responsibility for everything that’s showing up in our lives even when it feels like someone else’s fault. It relies on the bedrock of faith that we are strong enough to walk away from something that ‘doesn’t feel right,’ or acknowledge when we’ve been jerks. It rests on the belief that people will forgive and love us even when we make mistakes.

At times like this, we need help. We need others. We need to know that when we call out ‘I’m drowning, throw ropes, send oxygen, make soup,’ that others are listening and will act.

Sometimes, we need to be rescued.

Joanne Fedler

Joanne Fedler

Author, writing mentor, retreat leader. I’m an internationally bestselling author of nine books, inspirational speaker and writing mentor. I’ve had books published in just about every genre- fiction, non-fiction, self-help, memoir – by some of the top publishing houses in the world. My books have sold over 650 000 copies and have been translated in a range of languages. Two of my books have been #1 Amazon bestsellers, and at one point the German edition of Secret Mothers’ Business outsold Harry Potter- crazy, right?

I was resuscitated by family (daughters who bought flowers and teenage sons who offered ‘Let me cook dinner tonight’); friendships, team members and the community of writers I work with.

We’ve all just witnessed the miraculous rescue of thirteen people from what seemed like inevitable death in flooded caves in Thailand by an international team of expert divers, Navy Seals and doctors. Don’t know about you, but I’m a weepy mess, overcome by this show of solidarity and collective genius. There is literally nothing we cannot achieve as a human race if we pull together.

Caroline Myss in The Anatomy of Your Health, reminds us to stay connected to a life ecosystem: ‘Be part of a group whose collective soul you care about, and with people who notice when you are missing. Nobody walks this earth alone. Find the people you want to grow with – and let them know, “you can count on me.” This is how a human being’s health thrives.’

If you are reading this, I want you to know that you are a huge part of what sustains me.

As a huge thank you, I’m going to be sending a specially designed gift in every monthly newsletter – it will either be a free chapter of a new book; an inspirational infographic; or some other love-attachment to bring you joy.

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I was recently asked by The Excellence Reporter to share my thoughts on what the meaning of life is (you know, that little question). Here’s the short video I recorded in response:

In the coming months, Joanne Fedler Media will be publishing four books – we are SO excited to bring you some brand new authors and share the work of their hearts and lives with you. Soon.

 

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One Story in an Immeasurable Community

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One Story in an Immeasurable Community

Some years back, when I had half the number of children I do now and half the ache in my heart, I found my first writing community. It was at the Centre for the Book, a historically solid structure in the middle of Cape Town, close to the austere buildings which housed the Supreme Court and Advocates Chambers. It was a place where I felt at ease.

I took a course that lasted six weeks, meeting once a week and run by the warm and empathetic Anne Schuster who made me understand that it was indeed what I needed to do.  I had to embrace that ounce of instinct that I must write. There I sat, sometimes staring out of the heavy, dark-wooded sash windows at the world outside,  a little embarrassed tear escaping down my cheek when I started to write what I was really feeling. It took every nerve in my body to read my first piece to the group after we’d done our assignment, but that was the beginning.

Everything has a beginning.

By the end of the course, I had dispelled – for myself at least – the notion that you needed grey hair and a life of intrigue to tell your story. The women who shared and spoke and revealed some of themselves in their writing helped me to grasp that. The feeling that I am a fraud, an imposter, that no-one cares, that no-one will read what I write is the thing that plagues me the most. It is the fear of offending others, and the acknowledgement that sometimes even memory is fiction, which makes writing such an arduous process. ‘Write as though they were dead’ is the common refrain, but my imagination doesn’t often stretch that far, and I’d rather be grateful that they’re not. But even during my nervous start as a writer, the community of women writers there helped me to feel that my particular story had value.

Since those early days, I have sought out several other writing communities – through online writers’ groups, online writing courses, writing workshops and among like-minded friends who are interested in words and books. Without doubt, these are the pillars that hold me up when the feeling is one of fruitlessness.

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About Dominique

Dominique Malherbe has been writing since she was a young girl, documenting her life in various little journals since she was a teenager, trying to understand the significance of it all. As expected of her from a family of lawyers, she studied law and practiced for some years, specializing in tax and corporate law. Married life and four children threw her slightly off course, and she spent the last decade lecturing law as a way of trying to find the elusive work/life balance. In 2014, she published her first non-fiction narrative, entitled From Courtrooms to Cupcakes, and is in the process of publishing her next book, Somewhere In Between. She lives in beautiful Cape Town with her husband, four children and three boisterous hounds.

I recall being particularly enthralled by the sense of ‘real authors’ at my first writer’s group meetings, by the strong and successful writers like Deon Meyer, Mike Nicol and Joanne Hichens. Like a sponge, I soaked up their stories as ‘beginner’ writers. I felt that perhaps through a process similar to osmosis with plants, if I was just in their company and sitting close to them, I would be infused with the essential characteristics that make up becoming a writer. It mattered not that these mentors of the craft told mostly crime fiction or other fiction stories, and that what I wanted to write was real and about women, for women. I listened intently to how they did it and to what mattered most, and I believed I was learning.

I wanted to learn fast, for I am impatient and a little impossible. That urgency is greater now that I’m aware that the gift of time is no longer on my side (I am already past half way, for heaven’s sake).  I know that there are probably not enough years to read what I need to learn in the writing craft, let alone write the stories that swirl around my head.  But I recently read something profound and beautifully poignant – something that calmed my haste – in Elizabeth Strout’s My Name is Lucy Barton:

“You’ll write your one story many ways. Don’t ever worry about story. You only have one.”

Writing communities, whether they are the perceived ‘real authors’ – those who have written extensively and published often – or the equally talented and valuable fledglings – just starting out on their journeys in words – will provide you with your wings to write your one tale.

They have for me.

Like my number of children, my writing community has doubled since my first course nearly two decades ago. And in understanding that my one story has many versions, I will continue to rely on the writing community, because writing – though often a lonely pursuit – is infinitely lonelier without community. And it is infinitely more rewarding with one.

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The Catharsis of Writing

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I write.

I use words to weave a cloak of self-care. I let the stream of consciousness burn through my fingers. I blog. I share with trusted friends. Write journals. Make notes on my phone. I write anywhere I can. And when I’m done writing, my spirit is a little softer and my heart a little calmer.

Almost half the population of Australia will have a mental health issue (depression, anxiety, substance abuse – to name a few) at some point in their lives. Fifty per cent of us. If you know another human, then statistically speaking, one of you is it. Inner mental turmoil can turn molehills into mountains, and when that happens our emotions and fear can overwhelm while destructive behaviours waltz in to calm the mental disquiet.

But writing out chaos gives it a name – acknowledges the pain. Writing needs no rules, no judgment, no audience. It matters not if you’re a “good” writer. Regurgitating words is an outlet for the whirlpool of noise and once out, there is a lessening of burden. A burden shared is indeed a burden halved.

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www.simonelisa.com

We live in a world where connection to meaningful relationships and pastimes can be superficial. Social media and online activities bring communities and individuals together in the most wonderful of ways, yet we still need connection in the “real” world. We need someone to hear our personal story in all its uncensored glory. Without real connections it’s easy to isolate, and isolation is rarely helpful for mental health issues.

Fortunately, there is a plethora of tools to support us, and we can all find different ways to work through distress. Writing is free, needs few resources, no training, and is available anywhere, anytime. Writing clutches your worst fears – all the problems that haven’t even happened – and puts them down in black and white. Or any colour you choose. It can offer perspective and validation. It gives words to unexplained feelings, unexpressed pain and paralysing fear. Writing clears a little space for the voice of reason to step in and whisper in your ear.

I started writing in a journal as part of my professional support therapies. Some days were so dark I couldn’t form full sentences – I just seeped the anguish through my fingers and let it rest. I read it back later and felt compassion for the girl silently screaming in my mind. That was three years ago. Since then I have written prodigiously. When full sentences can be found, I put my inclination to perfectionism to work, cleaning up text to publish in my blog. Sharing my story sheds the shame. It allows me to tell my deepest, darkest secrets and fears to professional and personal supports without speaking out loud. When my voice has no words, I give it one through writing. Publicly sharing my story brings me a stronger sense of connection to communities of people who understand when I’m suffering. They’ve been there, done that, felt it. They hear my words and feel them too.

I recently experienced a rapid spiral into depression and forgot to write. Chaos swirled. At 3am one morning, I wrote a thousand words of turmoil in a message to a trusted friend. She checked on me, kept me safe, and since then I’ve resumed my writing and the turmoil is settling. Rational thoughts are returning and perspective is coming back. My early morning stream of consciousness was a catharsis of emotional pain. My physical world remains cloudy, but mentally, emotionally, spiritually, I am clearer. I see hope and light.  And I owe that to writing.

 

*If you are experiencing mental health issues and need assistance or someone to talk to, please seek support services in your area. You are not alone and there is help available.*

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Mistakes to Avoid When You Write a Self-Help Book

Mistakes to Avoid When You Write a Self-Help Book

Mistakes to Avoid When You Write a Self-Help Book

I’m such a huge fan of a great self-help book which can raise our vibrational frequency if the author wrote it with energetic integrity – not from a place of ego, but rather as a transmitter of wisdom and as an act of service to the reader. A book like this is often the hard-won result of the author’s struggles, and is imbued with wisdom, perspective, insight and compassion. Such books help readers to suffer less and feel less alone in their suffering.

Writing a self-help book can be a gift to readers that can potentially transform them. I’ve read hundreds of them (some brilliant, some awful) and have read numerous submissions by aspiring authors looking for publication with Joanne Fedler Media. Based on my experience, here are some guidelines to help you write a self-help book:

  • Establish your credibility upfront: your credibility may be the result of an experience you have survived or because of your professional expertise. Tell us upfront what your story is and why and how you came to write this book. Readers want to know they are in safe hands – they want to know who the author is, what credentials we have for writing this book – professional, experiential;
  • Start with your experience, not the lessons learned: your experience has yielded your insights – so start with your experience, not the ‘lessons’ or ‘insights’ you learned from them. Allow your reader to experience your transformation with you, and allow them to journey towards your insights instead of foisting them on your readers;
  • Be clear on who your target market is and write with your reader in mind: People who are not your family will only be interested in your book if it is objectively uplifting and inspiring. It’s not enough for you to simply record what you went through – what insights or growth occurred as a result of your experience?
  • Just because it happened to you, doesn’t make it relevant to others: be sure to write about your journey in such a way that you cross the bridge between the personal (what happened to you) with the universal (why it’s relevant to your reader);
  • Let your reader walk in your shoes to get to the transformation: though you may be at the end of your transformation, remember that your reader has not traversed that path with you. Pace and structure the book so your reader has a chance to ‘catch up’ and experience the transition, walk through the highs and lows with you. Otherwise the journey you describe may seem fanciful or ‘reserved for spiritual VIP’s only.’ If your book is about grief, make sure the reader is allowed to experience the grief, otherwise the strength of the transformation is lost, or is leap-frogged over, and becomes a spiritual bypassing, which can feel unprocessed;
  • Show us your journey, don’t just tell us what you learned: show your reader what actions you took, what conversations happened, in order to show us how you ‘changed your mind’ or a had a ‘realisation’ or an ‘insight.’ It’s not enough to say, ‘I realised… I was being watched over / I couldn’t control the outcome / I had to surrender / I was in control of how I felt…’ etc. Show us the transformation (from fear to faith, illness to health, grief to acceptance) and make sure you keep your reader with you through the transition otherwise she will be unable to identify with it. Use scenes in order to show us the moments in which you changed;
Joanne Fedler

Joanne Fedler

Author, writing mentor, retreat leader. I’m an internationally bestselling author of nine books, inspirational speaker and writing mentor. I’ve had books published in just about every genre- fiction, non-fiction, self-help, memoir – by some of the top publishing houses in the world. My books have sold over 650 000 copies and have been translated in a range of languages. Two of my books have been #1 Amazon bestsellers, and at one point the German edition of Secret Mothers’ Business outsold Harry Potter- crazy, right?

  • Don’t rush: in the wake of a loss or a change, writing can be cathartic and healing but it is not going to be the writing that you want to share with the world. A self-helpbook about any meaningful experience can only be written in time. I am a great believer in letting things take their time and not rushing the river, especially the river of loss and grief. Its insights are often startling, but we need patience to harvest them. A self-help book should be a wise guide by someone with expanded perspective – make sure you have given yourself enough time and space to process your experience before writing about it. A story can only be written when an experience has worked its way through us, when it has been deeply digested, richly conceived;
  • Your beliefs don’t make us trust you: what you believe is irrelevant unless it is based on your experience – so show us a story which gives us a reason to trust your beliefs. What you believe does not in itself establish credibility. As my favourite character The Dude in The Big Lebowski says, ‘That’s just like, your opinion, man.’ And you know what they say about opinions… Readers need to trust us for our opinions to hold weight;
  • Beware of self-help cliches: anyone who has done any self-help work knows the basic tenets of living a responsible, empowered life: don’t be attached to the outcome, don’t be a victim, practice kindness, gratitude, meditation, slow down, actions have consequences and so on. By focusing on the same universal truths, self-help books run the risk of repeating spiritual clichés which lose their lustre and fail to inspire us because they are so over-used. They must therefore offer something new or original to a reader– even simply a new framework or a reshaping of these ideas. When it comes to self help, a reader needs to feel the nuance of our different take even as we express the same time-honoured truths, so remember that you have enough experience and credibility to reinvent and reinterpret universal spiritual lessons;
  • Quote others sparingly: you don’t need to bolster your views with other self-help gurus: quoting Brandon Bays or Eckhard Tolle or Deepak Chopra doesn’t give your ideas more weight. In fact, quoting others dilutes the strength of your originality. Also, who cares? This is your book, not theirs. And if you do use quotes, be aware that you need copyright permission for them all if you are to publish;
  • Speak to your readers as equals not from a podium: one of the biggest mistakes I see people make in writing self-help books is in the tone or style – if it comes across as didactic, it’s easy to lose your reader. Keep the tone self-compassionate not patronizing or self-aggrandizing. Nobody likes to be lectured to or spoken down to, and even if we don’t intend this, our tone might still come off as if we’re a ‘know-it-all.’ Bring us with you, don’t preach. This will happen naturally when you find your original writing voice so spend time working towards that;
  • Be original: create your own unique framework based on your experience. No-one has had the experience you have had, and so you are in a unique position to create an alchemy from it, combined with all the spiritual reading or research you’ve done and come up with your own framework, recipe or ideas. Be creative and original. Figure out the through-line or overarching theme that ties everything together;
  • Simplify your message: boil the message of your book down to one single paragraph, then one sentence then one phrase or even one word so that you know the message of your book simply and concisely.

How to Write a Self-Help Book

Are you writing a self-help book? Do you know what the two essential elements of a self-help book are? Do you know how to structure it?

If not, this step-by-step manual will guide you through the writing so you can share your message with the world. In it I teach you the essential structure every self-help book must follow, how to incorporate the rules of storytelling into your writing to engage your audience and how to ensure that you deliver on the promise your book is making to your reader.

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Can I show you how to begin? Who wants to become a writer? And why? Because it’s the answer to everything. … It’s the streaming reason for living. To note, to pin down, to build up, to create, to be astonished at nothing, to cherish the oddities, to let nothing go...

Nobody Can Do This, But Me

When I was younger, I believed I needed rescuing.One day, sitting at an airport, I realised I didn’t want to be that person. I was homeward bound, after galivanting with no purpose, when I suddenly recognised that I could take responsibility for myself, and that I...

What Is My ‘Writing Voice’ and How Do I Find Mine?

What Is My 'Writing Voice' and How Do I Find Mine? Our writing voice is not something that’s lost that if we look long and hard enough for, will eventually turn up like a pair of mislaid spectacles that have been hiding under a pile of unopened mail. It is a fluency...

7 Things the Writing Community Can Do for You

Being part of a writing community has changed so much for me. I have been a writer my entire life, but I have almost always navigated the ocean of words on my own. Only in the last year have I come to realize what it means to my journey to have other oarsmen in the...

What Would Happen If You Just Stopped?

Yep, you know what I mean. Just stopped. Did nothing. If you'd asked me this question during the past 18 months while I worked 14 hour days, 7 days a week, it would have baffled me. I love hard work. I've got what we call 'zeitzvleis' - 'sitting-flesh' - I can do...