May It Happen for You

May It Happen for You

May It Happen for You

Sometimes

Sometimes things don’t go, after all,
from bad to worse. Some years, muscatel
faces down frost; green thrives; the crops don’t fail,
sometimes a man aims high, and all goes well.

A people sometimes will step back from war;
elect an honest man, decide they care
enough, that they can’t leave some stranger poor.
Some men become what they were born for.

Sometimes our best efforts do not go
amiss, sometimes we do as we meant to.
The sun will sometimes melt a field of sorrow
that seemed hard frozen: may it happen for you

– Sheenagh Pugh

As we hurtle towards the end of 2019, I’m rounding the year up, harvesting the insights and trying to work out how I’ve become that weird and crazy person – you know, the type you see down at the beach in winter, swimming.

The year began with me flat on my back. That L3 L4 disc. I had to draw on my entire life savings of spiritual work to keep me steady and ‘trusting the story’ that was playing out.

It played out.

I took to water to learn to move again – I had to be reintroduced to gravity, like a disloyal friend who has to earn back our confidence.

The small forays in the ocean baths became swims across Coogee bay and that in turn has led me to the greatest love of my life (Zed knows, he’s good with it). Learning how to be in the ocean – to read the tides, understand the rips, manage the swells, use the waves – has taught me humility, courage and stamina. I’ve  now done four open water ocean swims – the kind of thing I consider a little reckless and extreme. The most thrilling part is that I don’t know who I am anymore. I used to ‘hate cold water’ and was ‘afraid of big waves and sharks.’ These are all still a bit true. But a little less true.

The ocean has become a life theme, a foundation of my every day, and it has helped me hold steady through a year of big decisions (letting go of my crazy busy-ness); writing a new book (The Sabbatical – the third in the Secret Mothers’ Business trilogy), staying somewhat sane while my 22 year old daughter was travelling alone through Europe for 6 weeks; big griefs and sadnesses. 

 

About Joanne

Joanne Fedler is an internationally bestselling author of 10 books, writing mentor and publisher. In the past seven years, she’s facilitated 12 writing retreats all over the world, mentored hundreds of writers (both face to face and in her online writing courses), set up her own publishing company, Joanne Fedler Media, and published four debut authors (with many lined up to follow). She’s passionate about publishing midlife memoirs and knows how to help people succeed in reaching their goal to become a published author.

In April this year, l lost a beloved friend, Carol Thomas. She was maybe the best obstetrician and gynecologist, but without doubt, one of the magnificent humans you’re lucky to meet once or twice in your life. I met her when we were both women’s rights activists on the Reproductive Rights Alliance in South Africa many years ago. She delivered my son Aidan in 1999. Her death seared my heart and brought me to my soul’s knees. I kept swimming, sobbing my grief into the water, my goggles filling with tears.

It was a blessing to then come upon Stephen Jenkinson and his two astonishing books Die Wise and Come of Age which have literally changed me – how many books ever do that? Jenkinson says being an elder is about ‘having your heart wrecked on schedule.’ And so it has been.The water has held me through it all – the stingray, the blue gropers, the small silver and gold flecks of fin, the jimbles that have stung me ragged, the speckled wobbegongs, the large manta rays that have terrified and thrilled me, even a small Port Jackson shark (harmless, by all accounts) I came a little too close to one morning.

The sea has offered me daily astonishments with which to actively forge joy – a mercy in the face of all that has crept in as cruelty and suffering, including the terrible effects of climate change around us that are hurting our earth and the future of all sentient beings.

Of course, life is always mottled. Beauty shines like the gold resin that holds broken pieces together in the Japanese art of Kintsugi. A happy collaboration with talented artist Margaret Rolla came to fruition this year in a little book of Meditations and Visualizations for Aspiring Authors and Writers  as we turned the meditations from my signature Author Awakening Adventure course into an exquisitely illustrated book. It is Marg’s first book, so yet another celebration. Lucky for you, it’s just in time for Christmas and Chanukkah gifts.

Aren’t her illustrations exquisite? I hope you’ll grab a copy or two to gift over this festive season.

After I’ve finished the rewrite on The Sabbatical, I’m planning a couple of retreats next year – some will be for writers (I’m especially interested in working with women leaders who need support and mentorship to bring a book into the world). Others may involve healing through storytelling, family constellations and even ocean swimming (When Wound Meets Water) through collaborations with some spectacular and powerful women. In this way, I hope to cross paths with some of you in 2020.

I wish you all a blessed festive season and new year. As the Pugh poem above goes, sometimes goodness prevails.

May it happen for you.

There’s an Octopus in the Room

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Why I Struggle to Share My Writing on Social Media

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Bedrock

Virginia can’t say if she is claustrophobic herself. She’s never been this far inside a cave before. The little spelunking she did as a child along the coast of the Western Cape was hide-and-seek with bare-footed cousins, in sea-carved rocky alcoves.

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Dropping Judgment, Embracing Compassion

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How to Touch What Is Beautiful

How to Touch What Is Beautiful

How to Touch What Is Beautiful

‘I did not survive to be untouched.’ – Mark Nepo

Today, my friends, is my 52nd birthday. I know, right? I don’t look a day over 50.

The past year has been a mix of magic and mayhem. I count among the highs my discovery of ocean swimming and the return of my writing fire. A serious back injury, and the loss of a beloved friend, Carol Thomas took me into some deep grief that keeps coming back and nudging me, reminding me how impermanent everything is.

2019 has also been the year when we’ve finally woke up to what’s happening on our planet. 

It’s so difficult not to feel overwhelmed with indifference, anxiety, anger and sadness. You may find yourself escaping into food, drink, shopping, travelling or Netflix just to get some relief. We’re all looking for ways to stay untouched by what is going awry around us.  

It’s a simple wish, isn’t it? The desire to feel happy and well. But in a world that is diseased and poisoned, perhaps it’s impossible to feel truly well or happy when everything is so askew.

So maybe we can’t have ‘happiness,’ but what is certain is that we can touch it. Now and then. Maybe we can’t be ‘calm’ or ‘peaceful’ all the time but we can taste it, here and there. We owe it to ourselves to touch what is beautiful and meaningful. If we can keep returning to touch and be touched by awe, gratitude and wonder, we stay connected, alive, in tune with what is both painful and the grace that helps us overcome pain.

For a while, I’ve been thinking about how to create something that could bring pleasure or joy or mindfulness to others – through writing. Not a big project like a book, something small, manageable and designed to be fun.

So I put together a little joy-bundle called Just A Touch – it’s 24 writing exercises over 24 weeks. Each exercise takes you somewhere, just for a while, and lets you play.

Just a Touch Online Writing Course - Exercises

Just a Touch is designed to:
– bring the kindness of writing into your life;
– connect you to your heart through writing even if you don’t know where to start;
– tickle your writing bone and take you by surprise.

It would help me immensely to cover the costs of the creation of the course if you’re able to purchase it for $39.95 AUD.
However, if for any reason, you cannot afford this, please don’t let this stop you.
You can pay whatever you like for it over $1 AUD. 

 

About Joanne

Joanne Fedler is an internationally bestselling author of 10 books, writing mentor and publisher. In the past seven years, she’s facilitated 12 writing retreats all over the world, mentored hundreds of writers (both face to face and in her online writing courses), set up her own publishing company, Joanne Fedler Media, and published four debut authors (with many lined up to follow). She’s passionate about publishing midlife memoirs and knows how to help people succeed in reaching their goal to become a published author.

Joanne Fedler birthday

‘I write and I feel how the tenderness and intimacy I maintain with language, with its different layers, its eroticism and humor and soul, give me back the person I used to be, me, before my self became nationalized and confiscated by the conflict, by governments and armies, by despair and tragedy.’ – David Grossman

 

It would give me such pleasure to know you’ve chosen to touch your writing over the next 24 weeks, and that you’ve committed to the radical act of being touched by the grief and grace of your life.

Get Just a Touch here.

It’s super-easy:

* purchase the Just A Touch course by clicking the button below or click here;

* you will receive your first writing exercise immediately;

* every week, for the next 23 weeks, you’ll receive a new writing exercise in your inbox

(if you can’t find it in your inbox, please check your spam/promotions folder).

I had so much fun creating these exercises, I hope they’ll keep you in touch with the part of you that needs nurturing in these troubled times.

How to Make ‘I’ Contact

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Allow Me to Disappoint You

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Writing Is Also About Erasing (On Editors)

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People with Passion Interview with Tanya Savva

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Bad Art Is Fabulous in So Many Ways

Bad Art Is Fabulous in So Many Ways

Bad Art Is Fabulous in So Many Ways

‘Our spiritualities will be found not in what we profess, but in where our energies are most invested most hours of most days.’

James Hollis

Bad art is fabulous in so many ways.

Instead of letting poor writing or bad movies depress you, you can use them to inspire you. They can be a source of deep learning. In talks or on retreats, I bring out two books to prove my point that anyone can write a book – Roundabouts of Great Britain and Images You Should Not Masturbate To, both published by traditional publisher. True.

I’m right in the heart of writing my new book, The Sabbatical, about a group of women in their fifties, in which I want to shatter and refuse to accede to the defeating clichés about midlife, you know – the despair about ageing, sunspots, wrinkles, crowsfeet, the paunch, urinary incontinence, the muffin top, the weight gain, the libido-MIA, senile warts, the onset of all kinds of age-related (age-appropriate) wear ‘n tear, conditions, even diseases. We are worn-down-to-death by these narratives, they offer us nothing but same-old stories; an accession to decrepitude; more of what came before.

The Sabbatical is the third in the trilogy of Secret Mother’s Business, and explores the empty nest, divorce, widowhood, sickness, regret, relationships with adult children and the deep questions of what our responsibility is to the younger generation. I just didn’t want to fall into the bemoaning trap: getting old sucks, we’re invisible, woe are our tired-dried-up bits; let’s have another glass of wine.

So I was excited to see Amy Poehler’s directorial debut in the movie Wine Country, about a group of old friends who go off to Napa Valley to celebrate one of the friend’s 50th birthdays. Finally, a movie about women my age – ’bout time. I settled down to watch this, with huge anticipation thinking it would surely give me inspiration.

Joanne Fedler

Joanne Fedler

Author, writing mentor, retreat leader. I’m an internationally bestselling author of nine books, inspirational speaker and writing mentor. I’ve had books published in just about every genre- fiction, non-fiction, self-help, memoir – by some of the top publishing houses in the world. My books have sold over 650 000 copies and have been translated in a range of languages. Two of my books have been #1 Amazon bestsellers, and at one point the German edition of Secret Mothers’ Business outsold Harry Potter- crazy, right?

I am always loathe to take up the role of the critic, it being such an easy, lazy position, generally by people who don’t create themselves. But – and this is a strong opinion – I detested this movie. If that’s what women become in our midlife, we are surely doomed – ridiculous, alcohol-motivated, sex-with-younger-men-seeking ego-maniacs. I wanted to be no-one in that movie. I didn’t want a single one of those women as my friends.

I love the talent of the actresses in that movie, but I wish Amy Poehler had just asked herself: what do women in their fifties need to know about themselves that society doesn’t already push down our throats? What kind of role models are women who are not obsessed with romance, body image, children and getting independently wealthy? What ‘message’ or vision of life is this movie in service to?

James Hollis writes, in Hauntings:

‘The goal of life (these days) is not an afterlife, but apparently to enjoy this one. But the materialistic vision of our time leads to this dilemma: if the numinous is not experienced in the outer world, it will manifest either as somatic illness, internalized pathology, or we will be owned by our search for it among the objects upon which we have projected our existential yearning in the outer world. Thus shiny new objects, seductive technologies, sex and romance, hedonism, self-absorption and most of all, distraction, constitute the chief ‘spiritualities’ of our time.’

Wine Country has been a great inspiration for my new book but not in the way I expected. It has helped me clarify the kind of women, conversations and bigger picture message I want my book to convey by showing me what I surely do NOT want to reflect back to readers. I want readers to finish my book, excited about ageing; their inner wisdom and the strength of their life experience to offer light to the younger generation.

So, I guess, thanks Amy Poehler for the awfulness that is Wine Country which has helped me shape, conceive and give life to my characters – women who are, each in their own way, strong leaders, deep thinkers, and who are taking our responsibility to lives beyond our egos, seriously.

What Every Writer Needs on Her Shelf

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This Is Not the Story I Wanted to Write

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‘I Want to Write… Bbbut Where Should I Start?’

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Not Pretty Enough

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Why I Struggle to Share My Writing on Social Media

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Show Don’t Tell: A Golden Rule of Writing for Aspiring Authors

Show Don’t Tell: A Golden Rule of Writing for Aspiring Authors

Show Don’t Tell: A Golden Rule of Writing for Aspiring Authors

One of the trickier ‘golden rules of great writing’ that can be difficult to understand and execute is the ‘show don’t tell’ rule.

Anton Chekhov wrote, ‘Don’t tell me the moon is shining; show me the glint of light on broken glass.’

What does it mean to show not tell?

It’s the technique of painting a picture for the reader rather than spelling out what a character is sensing or feeling.

When should we use the ‘show don’t tell’ rule?

Generally, when we’re writing about emotions and senses, showing works well. However, we need a balance of showing and telling in a text. Telling is more effective when we’re summarizing backstory or describing action.

Why should we use it?

When we show, we paint an image for the reader (like in movies) so the reader gets to interpret and feel his or her own emotional response. This is how we create rich, vivid text that is open to interpretation. It makes writing inviting, not didactic.

E.g. She was grief struck (telling) versus ‘Something cold flickered inside her, memories of her mother moved like minnows beneath a dark surface.’(showing)

When we ‘show’ we leave spaces for the reader to fill in with his or her imagination.

The movie director, David Mamet talks about ‘telling the story in cuts…through a juxtaposition of images that are basically uninflected…a shot of a teacup. A shot of a spoon. A shot of a fork. A shot of a door. Let the cut tell the story. Because otherwise you have not got dramatic action, you have narration. If you slip into narration, you are saying, ‘you’ll never guess why what I just told you is important to the story.’ It’s unimportant that the audience should guess why it’s important to the story. It’s important simply to tell the story. Let the audience be surprised.’

Telling robs the reader of his or her own emotional take on the situation. It flattens instead of expands the text.

‘She is lonely’ versus ‘She looks for a kind face but never sees one.’

When we ‘show’ we’re letting the reader in, we’re writing for the reader. Showing opens rather than closes the text.

‘He felt hot’ versus ‘Large half moons of sweat grew at his armpits.’

The writer Adam Robinson’s exercise for showing not telling is: drop an adjective into a sentence like this ‘He was so….. that he once.’ Or ‘the day was so cold that…’ Then delete the first half of the sentence.

Have fun experimenting.

Keep writing – the sentences you don’t write keep you where you are. The ones you do, take you places.

PS: Show Don’t Tell is just one key element of writing. For more tips and exercises to strengthen your craft, sign up for my 7 Day Free Writing Challenge.

Join the 7 Day FREE Writing Challenge

 

This writing journey over one week will serve those who are new to writing and don’t know where to begin or what to write about. As well as seasoned writers, we all need to reignite an old flame with words to see if there’s any chemistry.

Join me for my next 7 Day Free Writing Challenge and learn simple but profound writing tricks.

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When I was in my early teens, my father introduced me to Dylan Thomas’s Under Milk Wood, a play for voices. I became enchanted with language.

The Biggest Birthday Yet

Good lord, it is two days to my 50th birthday. I am not ready to own such a majestic number, never mind have to blow out that many birthday candles. Also, it means I have to stop ‘turning’ 50 and just be 50. I have literally devoted my entire 49th year to getting to...

Nobody Can Do This, But Me

Nobody Can Do This, But Me

Nobody Can Do This, But Me

When I was younger, I believed I needed rescuing.

One day, sitting at an airport, I realised I didn’t want to be that person. I was homeward bound, after galivanting with no purpose, when I suddenly recognised that I could take responsibility for myself, and that I didn’t need to sit around waiting for someone to do it for me. That was the day I began to grow. I took charge of me. I decided to hold myself accountable for the unfolding of my life.  And since that moment, I have grown and evolved into the person I am today. Once I was a lost, lonely girl waiting to be saved.  But now when I look into my past, and see the me I have become, I am in awe of what I have achieved, especially because back then I didn’t know I could.

I run my own Pilates studio now.  And at the beginning of last year I realized I was at another crossroads. I was tired. Tired of being beholden to ideas and thoughts that were not my own, of trying to make everybody happy, and of not sticking to my boundaries. I took a month sabbatical, and the time away helped me see things from a different vantage point. I became clear on what I liked about my profession (and what I liked about myself), why I wanted to teach, and what my boundaries were. I asked myself, ‘What did I want to impart’, ‘Who was I willing to work with (and who was I not)’, and ‘What was important to me?’ I worked on channelling my energy from ‘have to do’s’ to ‘want to do’s.’ I rediscovered my joy of teaching. I remembered what I wanted people to feel when they were in my communal space, and what I wanted to give back to those who trusted me to move them.

I began to see who I was again. I had never been one to put down roots, for years being a restless wanderer, but over the years this changed. I brought my energy, my trust, my process of belonging in my own body – of falling into my skin – to others who needed a safe place to learn to do the same. My sabbatical happened to coincide with an imminent house and studio move, and I realised I would be able to create a studio space to encompass these insights.

About  Robyn

Robyn Spacey is a born and bred Capetonian. Though she hasn’t travelled extensively,  with a mountain, beach and city on her doorstep, she believes she lives in one of the most beautiful places in the world. Robyn is an avid reader, a movement teacher, andmother to a young girl. In her work, she uses words to impart ideas to clients to visualise the unseen spaces under their skins. This trusting of words to bodies has translated into the belief in the power of her own story, the confidence to pen them onto the page, and a deepening into the process of writing her book. She is, has always been, and will continue to be a writer.

Get more of Robyn at www.movementsanctuary.co.za or www.thebookclubblog.co.za

With physical renovations being necessary, I also decided to rebrand my business. Both processes needed consideration and choices in different aspects. One asked questions of my external vision, and one of my internal. Now, my decision making process can be haphazard, leaning either to a firm no nonsense approach, or the complete opposite where I don’t know ANYTHING. (I blame the effect of the moon for this…) But, I persisted. I answered questions, visualised, stretched, and transformed. Finally, with a little help from a designer who managed to climb into my head, I now have a new logo, a new name, and a new space.

I did it. I made it happen because I am no longer waiting for someone to save me. I realized a dream because I believed in myself, and in taking that next step.

For me, 2018 was the year of change, and so while all of this was happening (renovating takes time), I was also writing the first draft of my book. And I realised writing is a lot like rebranding. It is a vision only I can see. A dream only I can feel.

My book lives only inside of me. Inside my soul. There are characters who slowly reveal themselves to me as I begin to trust my vision, my words. But this book requires tenacity, effort and persistence. Bravery. It requires that I put in the work. It demands belief in myself and what I have to say. It needs rescuing from the very heart of me, by me.

No one else is going to do the work. Only I can let the words out, one after another, to trap them onto the pages of reality, to become tangible. To be a reflection of what I can achieve, of who else I am becoming. It takes time and trust. Belief, even in my darkest moments of doubt. It takes re-writing as many times as I need to. It takes asking the right questions, visualising, stretching the mind, and confidence in the transformation so eventually, with a little help from my mentor, I will manifest my book into reality.

One word at a time.

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May It Happen for You

Sometimes Sometimes things don't go, after all,from bad to worse. Some years, muscatelfaces down frost; green thrives; the crops don't fail,sometimes a man aims high, and all goes well. A people sometimes will step back from war;elect an honest man, decide they...

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