How to Make ‘I’ Contact

How to Make ‘I’ Contact

How to Make ‘I’ Contact

One of the first rules of public speaking is to make eye contact with the audience. That’s how we connect and earn trust.

In writing, our challenge is to make ‘I’ contact.

We have to be connected in with our own story in order to connect people in to our story. Who we are and why we have written our story has to come across in our writing. That’s partly what it means to have an authentic writing voice. We create trust and credibility by speaking about real things in a real way.

 

The 7 Day Writing Challenge

WINGS: Words Inspire, Nourish and Grow the Spirit

So we have to know who we are. At the very least, writing should teach us something about ourselves. We can’t trick readers into believing we’re authentic if we’re not. Just spending time working on that will take us into a place where people will trust us – we are solid in our writing, solid in what we’re doing and saying.

Knowing who we are and what we want to say is about noticing where we are. It’s about location – in time, space, emotion and character arc (our own).

We need to locate ourselves. So, who are you? Where are you? What do you have to say? How will you say it? And how can you say it better? What do you care about? What do you really truly deeply care about? Hiding somewhere inside the answer to these questions is not only our writing voice, but sometimes our deeper sense of purpose. Worth going in there, don’t you reckon?

How to Become a Writer Publishers Want

How to Become a Writer Publishers Want I often get asked, 'How do you get published?' The better question is 'how do we become the kind of writers publishers are looking for?' Here are my thoughts: Write the best goddamed book you can – live what you’ve written. Don’t...

How to Avoid Valentine’s Day Disappointment

If you’re into Valentine’s Day, I hope it’s going well for you. I can’t say the day has ever been anything but a spectacular disappointment. And not because I haven’t been well loved by good people. See, when I was nine, my father painted this poster for me. What...

I Am Well if You Are Well

I was a week away from my due date. I was enormous and uncomfortable as I stood barefoot on the deserted beach. I had survived the past year. Barely. Grief and sadness swirled in me like aurora borealis. Birth demands hope. You have to be an optimist to bring new life...

Sometimes You Just Need a Little More Time

If you ever want to learn how to build a successful business, grow your team, create online programmes, become a publisher and burn yourself out in a few short years, just follow my example. Since 2014, I’ve been on an exhilarating, heart-opening, community-building...

Ageing Songlines

I find myself wondering more and more about her warning. Is it really obscene to grow old? I mean, what are a couple of white hairs, a bit of sagging skin, leathery arms and the odd stray facial hair? Really.

The Biggest Birthday Yet

Good lord, it is two days to my 50th birthday. I am not ready to own such a majestic number, never mind have to blow out that many birthday candles. Also, it means I have to stop ‘turning’ 50 and just be 50. I have literally devoted my entire 49th year to getting to...

What Every Writer Needs on Her Shelf

What Every Writer Needs on Her Shelf

What Every Writer Needs on Her Shelf

Finding the right word may take more than just a click of a mouse…

I inherited a Roget’s Thesaurus from my late grandfather. It has one of those hard-covers made from cloth. My grandfather’s signature is on the front page with the date 10-3-36. A few pages in is a replication of ‘the facsimile of the first page of the MS. Classified catalogue of words completed by Dr. P. M. Roget in 1805, which was the germ of the Thesaurus.’ It shows the word Existence written in fountain pen with Dr. Roget’s enumerations of the meaning beneath.

I love this old book despite the fact that I hardly ever use it. Most of my writing takes place on my computer, so all I have to do is right click for synonyms. This function saves me heaps of time – no more paging through the index of the thesaurus, finding the corresponding meaning and number and then turning to the right page and wading through long lists of words.

There’s no doubt that being able to look up Serbian for ‘We have run out of pickled onions,’ if one happens to be writing a story about Serbian cocktail waitresses in under three minutes saves us writers a lot of time. But sometimes speed isn’t what a writer needs.

 

The 7 Day Writing Challenge

WINGS: Words Inspire, Nourish and Grow the Spirit

In Steve Tolt’z new book Quicksand (2015), the character Aldo says, ‘… in our lifetimes we’ll see the actual end of patience.’ Not that I had a whole heap to begin with, but I’ve noticed the erosion of the smidgeon of patience I had for working things out manually, or researching a topic by actually going to a library or doing field work. When something isn’t instant (like internet speed), I get annoyed, it’s not working properly. Even opening the thesaurus these days feels like too
much of an effort. Sometimes I scramble around in my brain, but can’t quite grab the phrase I’m feeling for. Right click and Microsoft Office fails me with it’s shortlist of synonyms.

And there it is – the sign I’m waiting for to stop. Reach for the thesaurus. Pause into the word territory. Take my time. Sometimes I get lost in the pages sniffing out the perfect word, being drawn down new word paths and language lanes.

On those ‘can’t-write-a-thing’ days, a stroll through through its pages squares me back to my true north – to why I write – because I love words, their tiny tweaks and their fragile nuances. So I keep mine on my desk, a talisman to hold me to my joy, a patient friend who has the answers to all my writing questions if only I slow down enough to ask.

Dueling with a Four-Year-Old

There is a world, a ‘place of tomorrow,’ Kahlil Gibran writes, in which our children’s souls dwell, which ‘we cannot visit, not even in our dreams.’ That world of fairies and elves my daughter inhabits is a familiar, beckoning place. I delight in her lilting musings...

Why Talent is Overrated in Writing

What stops many people from writing is the belief that they have no talent. This is what I think about talent: Talent isn’t enough: talent guarantees zilch. It's not a ticket to a publishing deal let alone a bestseller. It’s not even a boarding pass. It may get you to...

After Angie’s Example

Angie was one of those girls who seemed to have it all. People enjoyed being around her. It wasn’t just because she was kind, it was that she exuded strength. But Angie got her strength the hard way.On a warm summer evening, after all our exams were over and life...

What Would Happen If You Just Stopped?

Yep, you know what I mean. Just stopped. Did nothing. If you'd asked me this question during the past 18 months while I worked 14 hour days, 7 days a week, it would have baffled me. I love hard work. I've got what we call 'zeitzvleis' - 'sitting-flesh' - I can do...

The Last Time I Saw My Father

I am who I am because of my father. Early on, it was evident that we shared common interests – common connections. He instilled in me a love of the theatre. I joined him on stage in amateur productions from the age of nine. Playing the lead role in high school plays...

Sometimes You Just Need a Little More Time

If you ever want to learn how to build a successful business, grow your team, create online programmes, become a publisher and burn yourself out in a few short years, just follow my example. Since 2014, I’ve been on an exhilarating, heart-opening, community-building...

Signs You Could Be a Writer

Signs You Could Be a Writer

Signs You Could Be a Writer

Signs You Could Be a Writer (No Matter What Your Day Job Is)

‘I’m not a writer,’ people often tell me. ‘But I’ve always wanted to write…’

You know, there was a time I also wasn’t a writer. But I always knew I wanted to write. This longing then, could be, as Rilke put it, ‘the future enter(ing) us long before it happens.’

Here are some signs that you could be a closet writer:

You love ‘beautiful’ writing

You appreciate writing that is careful, sculptural. You re-read sentences sometimes because … well, because they’re just so delicious. You sometimes read things aloud, to hear how they sound. The words become chocolates in your mouth.

You underline or highlight words, sentences or paragraphs in books.

You’re not one of those ‘don’t mark up your books’ person. You hate the idea of ebooks because you can’t underline things with your pencil or make notes in the margins. You have no idea why you do this, except some inkling that someday you might want to come back to the places you’ve marked and re-experience that sentence.

You like to eavesdrop on peoples’ conversations.
Sitting in a café or at the bus stop, you listen in on conversations between people: teenage girls gossiping, spouses bickering, boys flirting, or the banal and terrible stutterings and silences that happen between people. Writers are good listeners. We then imagine the stories behind the words. This is how we learn to write characters.

You love to people-watch.
You can sit and watch people go by for hours – the granny walking her wobbly poodle, the way the chubby guy rests his hand in his girlfriend’s lower back, the rabbi in his black furry hat perspiring in the heat, the young mum with her whining toddler talking on her mobile phone. Writers are keen observers – we look deeply, watching the rhythms and textures of all human interaction.

You notice the spaces around things.
Not only do you notice what people say and do, how they look and behave but you notice what isn’t there. The mother pushing the empty pram. The pregnant woman without a wedding ring. The guy in the bar who talks about his family. The newly renovated home that no-one moves into. The car parked at the end of the road that never moves. Writers don’t skim across the surface – we look in, around, through and between things. We look for where stories hide.

 

The 7 Day Writing Challenge

WINGS: Words Inspire, Nourish and Grow the Spirit

You read books and think to yourself, ‘Even I could write better than this…’
You get seriously irate when reading a badly written book. Sometimes you wonder, ‘how did this get published?’ Being able to recognize what works and doesn’t work in writing means you’re reading like a writer.

Sometimes words make you cry.
A sentence can brings tears to your eyes. Words move you.

You have empathy.
If you are naturally empathic, you’re able to imagine what it’s like to be someone else – a person in a wheelchair, homeless, kidnapped, raped, childless, lost… Writers imagine what it’s like to be other people all the time. We create fantasy worlds.

You have celebrity crushes on authors.
No matter how nerdy. John Green. Need I say more?

Being a ‘writer’ is an identity you choose, when you write. You don’t need permission, a degree or a certificate to write. You just do it. When you translate your longing into action and start putting words on the page, that’s when you graduate.

If you need permission, or a sign to go for it: this is it.

What Is Worth Being Famous For?

I always wanted to be famous. I once imagined if Ellen DeGeneres just had the chance to meet me, we’d become best friends. And that if Annie Leibovitz got a glimpse of my profile, she’d beg to photograph this nose. And that if Jamie ever got my lamb shank recipe out...

Where the Fight Is Won or Lost

You can learn the craft of writing any way you choose: you can take a course, you can read a book about writing, you can read great writers until your eyeballs bleed. There is no one way to learn what you need to know about writing. And that's because the craft of...

A Loveline to Celebrate the Thread That Has Woven You Here

  Today is my first birthday without my mother. I don’t know quite what that means. She began me and now I am finished in all the ways I know myself as her child. She was always a quiet force of devotion, gravity and governance and in the months since she left, I...

Doppelganger

You are my terrible twin.We were knotted together even as I slipped,womb-blinded, from the darkness into light,the cord severed. We will always be as Janus was,selves torn between the ancient facethat looks forward from the doorwayand the young one that looks...

Getting Lost in Our Own Bullsh*t – the Excuses We Use to Not Write

Honestly I’ve heard them all. Hell, I’ve used them all. I’ve had ten books published, have six or seven partially-written manuscripts saved in three different computers and dozens of journals, have mentored hundreds of writers, and even published a few through Joanne...

Memoir Is a Moving Target

I thought I knew what my memoir was about. I was there after all. I thought it was a matter of working out where to start and where to end so I could settle my story down somewhere in between. How difficult could it be? So I started writing, in earnest, in the place I...

The Art of Reframing

The Art of Reframing

The Art of Reframing

I come from a family of Oh My Godders. In my family, everything was a potential calamity: a sore throat. An impending storm. A parking ticket. Being late. Being early.

Now if you grow up in OMG-hood, you learn to panic. Without much provocation. Everything in life is a drama. You default into clutching your chest and hyperventilating. Invariably, you grow up with an anxiety disorder because life is a joyride of the unexpected, uncomfortable and I-never-saw-that-coming’s.

My dad lost his mother when he was young and entire branches of our family tree were wiped out in the Holocaust in Eastern Europe. It was no sunny childhood in the shadow of genocide and grief. Before his mother died, she told him, ‘It’s no good.’ And that’s the message he imbibed so even when things are good, it’s the prequel to disaster. Once a year when I visit him overseas, he bursts into tears as I arrive and says, ‘And you’re leaving in three weeks.’

I grew up with this gloomy sense of life as an untrustworthy experience where one should always expect the worst.

But let me tell you, this way of being is no fun. Not one bit. Not for me and not for anyone unfortunate enough to be in my vicinity.

Also, I noticed – particularly in movies – that those who panic in an emergency or unravel in a crisis are the ones who get their faces slapped just before they get eaten by the shark or get shot. They are also always the first to die. Those who remain calm are the heroes. They survive. And even if they don’t, we’re sad when they perish.

After watching Monty Python’s Life of Brian, I decided I want to be the person who gets everyone singing” Always Look on the Bright Side of Life” in the midst of crucifixion. It was time to convert from OMG-ism to Serenity. To paraphrase Rudyard Kipling, I needed to learn to ‘keep my head when all about me are losing theirs and blaming it on me…’

Some years ago, Buddhism showed me a path through meditation. I was intrigued that you could potentially get control over your wayward thoughts and emotions and train them, like a puppy, to do their business in the appropriate place. There I learned to stay with difficult, unpredictable emotions. To breathe into fear, anxiety, uncertainty. This practice also helped me to look at fear more kindly. Not as a bully, but as a teacher. This was my first introduction into ‘reframing’ – the art of looking at difficult experiences, differently.

As Shakespeare said, ‘Nothing is either good or bad, but thinking makes it so.’

 

The 7 Day FREE Writing Challenge

WINGS: Words Inspire, Nourish and Grow the Spirit

Here’s an example – my sister is deaf. She can’t hear announcements in a supermarket about the specials nor listen to music. In that context, she is disabled. However, put her in a noisy room and ask her what the person across the room is saying, and by the power of her lip-reading skills, she’ll tell you word for word. In that situation, I am disabled. (My sister would make a fabulous spy.) I discovered Daniel Kish on YouTube. He is blind. He also rides bikes and climbs mountains. He taught himself to ‘see’ by clicking his tongue (based on the same principle of echolocation used by bats). Some years ago, I interviewed people living with breast cancer. One woman told me, ‘Breast cancer gave me a chance to have an affair with myself.’

To experience life differently, perhaps we don’t need different circumstances, but simply to look at things differently.

What helps us to reframe? Firstly, a good dose of humour. If we can find what’s funny in a situation, no matter how hopeless, we’ve shifted our view. My husband is a master at this manoeuvre. Whenever I’m feeling guilty about something, he says, ‘Don’t beat yourself up just because it’s your fault.’ Humour is a solvent for self-pity.

Secondly, (and I know how corny this is), Big Picture thinking is always a frame-shifter. Okay, I didn’t get the contract, but I also don’t have to have root canal treatment today. A little gratitude for what we have, rather than a focus on what we don’t have helps us zoom out of the corner we’re facing. A woman having chemotherapy for breast cancer told me she used to put mascara on her one remaining eyelash. When I was moaning about my clothes being tight and how I needed to lose weight, my husband kindly suggested that I ‘just buy bigger clothes.’

In my own life, I have slowly learned to reframe experiences. I now see a back injury or a terrible flu as ‘an opportunity to give my body a complete rest.’ A big tax bill? It means I had a lucrative year. A parking ticket… at least – ah, bugger it, a parking ticket is practically impossible to reframe.

My mantras now include, ‘when one door closes, another one opens,’ and instead of focusing on what’s shut, I now look for what’s beckoning. I ask, What’s the lesson?’ What’s the pattern? What needs to change?

Being inside myself is a much cheerier experience. The beauty of course is that what we believe impacts on what we see. Our vision literally alters our experience. In the words of the British essayist Erich Heller, ‘Be careful how you see the world. It is that way.’

Paranoia is a warzone. And I no longer live there.

When Mothers Kill

Mrs. Large is an elephant and the mother of Laura, Lester and baby who tries – without success - to have a bath with a tray of tea and some scones away from her children. Five Minutes Peace by Jill Murphy is the bedtime book I always choose to read to my kids when it...

On Returning to the Home I Grew Up In

We leave something of ourselves behind when we leave a place, we stay there, even though we go away. And there are things in us that we can find again only by going back there. ―Pascal Mercier, Night Train to Lisbon I sit and watch the sun come up over Johannesburg...

Sometimes, People Don’t Trust Me

Sometimes, people don’t trust me. Here's why: When someone comes to me with a burning desire to write, or a story that’s wormed its way into their core, I am a cheerleader. Like the craziest, wildest, noisiest fan: ‘Go!’ ‘Keep going!’ 'You can do this! You’re almost...

What Your Reader Doesn’t Want to See

I’m a novice writer. But I’m an experienced reader, as most writers (novice or not) tend to be. As I sink my teeth into yet another book, I find myself frustrated with the writing, but intrigued by the content. The author had a clear vision of what the story meant to...

Surviving Teenagers

I call my kids to come see this YouTube video of some father in the US who ends his rant against his teenage daughter’s ‘I-hate-my-parents’ Facebook post, by emptying the barrel of a gun into her laptop. I suppose I’m hoping it’ll dawn on them I’m not such a terrible...

The Art of Shutting Up and Keeping Secrets

When we start writing, we get excited and want to share our happy news like a newly pregnant mother-to-be. We want to blab to everyone, ‘Hey, I’m writing a book.’ It’s hard to keep a secret as big and beautiful as this. But we must. If we care about what we’re doing,...

Writing about Ourselves So That Others Will Read It

Writing about Ourselves So That Others Will Read It

Writing about Ourselves So That Others Will Read It

When we write about ourselves, it’s not dissimilar to writing about a fictional or imaginary character. In Hemingway’s iceberg, we see that what we need to know about a character is vast compared to what we show. This depth of knowledge helps us to create richly conceived characters who are believable and authentic. When we write about ourselves, this sense of the vastness of what lies underneath our writing must be felt even more evidently – in other words, when people read what we’ve written, they want the security of knowing that they are in the hands of someone who knows themselves – that we are a reliable storyteller of our own stories.

When we write about ourselves, we need to be vigilant about not lapsing into absolutes or clichés: ‘I am a loving mother… I am a selfish bitch… I am the worst daughter…’ but to know that there are many versions of who we are. In Leonard Cohen’s song ‘Going Home’ he talks about his different selves, ‘I love to speak with Leonard, he’s a sportsman and a shepherd / He’s a lazy bastard / Living in a suit… going home… without the costume that I wore…’

The Japanese painter Hokusai painted Mount Fuji from 100 different views. He believed that you could not claim to know or understand something unless you had looked at it from a hundred different views. So often when it comes to ourselves, we stay fixed in one point of view, instead of bringing a sense of not knowing, of Beginner’s Mind. We assume we are an expert in ourselves.

Joanne Fedler

Joanne Fedler

Author, writing mentor, retreat leader. I’m an internationally bestselling author of nine books, inspirational speaker and writing mentor. I’ve had books published in just about every genre- fiction, non-fiction, self-help, memoir – by some of the top publishing houses in the world. My books have sold over 650 000 copies and have been translated in a range of languages. Two of my books have been #1 Amazon bestsellers, and at one point the German edition of Secret Mothers’ Business outsold Harry Potter- crazy, right?

The poet David Whyte says self-knowledge is not possible–it is an ever-changing frontier. So the ‘self’ as an idea is ultimately a fiction. The self is always evolving, always in flux. The only thing we can do is come to writing about the self with a sense of utter wonder and curiosity.

And I think that it’s only when we come to writing about the self as a fixed ‘thing,’ opinionated, connected only to itself, and not as something infinitely complex, ever-changing, part of a larger collective whole, that it can become ‘narcissistic.’ If we write about our selves in this one dimensional sense, we flatten our possibilities. We pretend not to know that there are ‘many selves,’ including our shadow selves – the selves we hide from others, the selves we hide from ourselves and the unknown parts of ourselves. There are silent parts of ourselves that we ignore, lock away, bury deep within us. When we write, we must at least hint at the depths, even if they are inaccessible to us in the moment we are writing.

As mature writers, we know that we are always writing from a version of ourselves. None of us is a fixed thing-‘Joanne Fedler bestselling author, mother, wife, etc.’ Whatever words we might use in a Twitter or LinkedIn profile, or a dating website is a form of self promotion. It’s advertising. We know both that the self is unfixed and that it is connected to a greater whole – we know this scientifically from quantum physics, Jung’s universal unconscious, our own experiences of ‘connectedness.’

When we write from a place of genuine self-curiosity and expansion, when we recognize that our individual experience is an expression of a broader experience, we speak into a universal voice. And as writers, that’s what we want.

 

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How’s That Cynicism Working for You?

I went to law school. I got not one, but two law degrees – one at Yale. Yippee for me, right? Actually, my entire life since then has been a recovery from legal thinking. Not that I don’t value logic, clarity, causation and an understanding of what it means to think...

Patience in Writing

I recently hauled out a box in which I’ve been stowing thoughts, ideas, inspiration and research for a book I have been wanting to write. It was packed with journals, scrapbooks, scribbles and diagrams in several folders which I will need to make sense of to turn it...

People with Passion Interview with Tanya Savva

'I love this part the best,' I said to my husband this morning. I had just finished nominating Tanya Savva's new book, The Adventures of Kenzie-Moo for the NSW Premier Literary Awards. There's something deeply happy-making about helping other people reach their...

A Man’s Job

There is, however, a fine line between an acceptance of these jobs as ‘natural’ and the slippery slope into boorish gender stereotypes in which I am invariably left unshod with a frilly apron at the kitchen sink. Whilst I can do anything if I wish to, I do believe there are certain tasks I, as a woman, am simply and without further explanation excused from. I don’t want to get into a conversation about it and I don’t want to fight about it.

What Is Worth Being Famous For?

I always wanted to be famous. I once imagined if Ellen DeGeneres just had the chance to meet me, we’d become best friends. And that if Annie Leibovitz got a glimpse of my profile, she’d beg to photograph this nose. And that if Jamie ever got my lamb shank recipe out...

How to Make Readers Part of Your Success When You Launch Your Book

How to Get Your Readers to Become Part of Your Success as You Launch Your Book   The purpose of launching you book is to get people to buy your book after all your hard work. To do this properly, you need to understand why people buy books. People buy books...

How to Become a Writer Publishers Want

How to Become a Writer Publishers Want

How to Become a Writer Publishers Want

How to Become a Writer Publishers Want

I often get asked, ‘How do you get published?’ The better question is ‘how do we become the kind of writers publishers are looking for?’

Here are my thoughts:

Write the best goddamed book you can – live what you’ve written. Don’t write only for a perceived market, write from your soul, your essence, the very core of who you are in this world. Write a book that matters.

Write for yourself AND write for a specific reader. Do not write for fame or fortune. These are the unexpected gifts of grace – for some of us – when we write what is real and true and needs to be told.

Write your story AND create a message from your story that others need to hear – you are writing for an audience. Connect with your own emotional truth and learn the ways of the craft so that you can write to create an emotional connection with your readers. Think of your readers as your most beloved companions with whom you are sharing the best parts of who you are.

Have great intention but zero attachment to the outcome. Your only attachment should be to the process of writing the best book you can. In the publishing market, there are no guarantees. You will probably not get rich or famous, but then again, falling in love doesn’t make us rich or famous either, just happy.

 

The 7 Day Writing Challenge

WINGS: Words Inspire, Nourish and Grow the Spirit

If you’ve secured a traditional publisher, stand in your publisher’s shoes: publishing is a business. Your publisher needs to sell your books to stay alive. How will you help your publisher to achieve its goals while simultaneously achieving yours?

Be easy to work with – take your publisher’s suggestions on board, don’t get huffy or precious. But guard your book like a mother guards her newborn baby – you don’t have to take all editorial suggestions on board, but at least sleep on them.

Create a personal relationship with your commissioning editor – publishers are people. They love books. Be the author they love to work with.

Become your publisher’s partner in getting your book out into the market. Do not expect your publisher to do all the work. No-one cares about your book more than you do – so be its best cheerleader and spokesperson.

Be pro-active – come up with creative, innovative ways of bringing the world’s attention to your book. Your work is not done when the book is written. Your work is done when your book has sold well enough for you to take a vacation in Hawaii on your royalties.

Find your speaking voice – not just your writing voice. Learn how to talk about your book so that when you’re interviewed about it, you are articulate, clear and speak with credibility and sincerity.

Learn the basics of marketing so that you can determine whether the marketing plan your publisher has drawn up will work or not.

Learn what needs to be done to bring your book into the hands of those who want to read what you’ve written. Do you need to get more social media savvy? Do you need to get onto LinkedIn and Pinterest? Do you need to make a few YouTube videos? Do it.

Your training starts now.

If you don’t get a traditional publisher who sees the value of your work – that’s okay. There is a whole world of self-publishing out there. You still need to tick all the boxes above. There are many ways to get your book out into the world.

On Returning to the Home I Grew Up In

We leave something of ourselves behind when we leave a place, we stay there, even though we go away. And there are things in us that we can find again only by going back there. ―Pascal Mercier, Night Train to Lisbon I sit and watch the sun come up over Johannesburg...

What Makes It Worth It

‘Is it worth it?’ ‘Tell me I can.’ ‘Not sure why I’m doing this.’ ‘There are so many books out there, why will mine matter?’ As a writing mentor, I field these apprehensions from writers every day. I wish I had a magic pass I could dispense to dissolve these angsts...

Sharon Can’t Tell You Her Story

Sharon and I clicked the first time we met. We slipped into an intense friendship with ease and it felt as if we'd known each other forever. Sharon was the kind of girl you didn't forget after the first time you met her. She was funny, with the body of a cheer leader...

Writing Is Not for Wusses

Writing Is Not for Wusses... so Zip Up Your Warrior Suit (You're Braver Than You Think) Being a writer is not like any other profession. Our work is literally who we are. Not to laud it over book keepers or bakers who do an honest day’s work, every time a writer ‘goes...

Buoy

1 It is four years to the day. The pillow next to mine whispers this in my ear just before I open my eyes to the careless daylight. I wonder if it is a deficiency – perhaps a leak sprung in me after he died - that in all the time that has passed since we lay together...

After I Blow the Whistle, I’m in Your Hands

Several years ago, one of my books published by one of the top five publishing houses in the world did so dismally I contemplated giving up writing. It had taken two precious years of my life to research and write it, and all my publisher could say was, ‘I’m sorry,...